darrenaug

Thanks so much for the info! Got an equipment list and it looks like I’m set. I think. We’ll see how rehearsal goes. but yes, 29.97 is what we’re doing. Thank you!

Thanks Bouke & Philip. The audio I will be recording is for a video game so from what they've told me my audio will definitely be used. A more low budget production on this one. So am I correct by thinking the "reference" or "witness" cameras will just accept regular LTC 23.976 timecode from a regular betso sync box jammed from my sound devices 6 series mixer? So an Avid system or something similar is on set for the regular cameras? Are there common MoCap brand cameras used for these reference cameras? Or are they your normal Arri or Red cameras that we see on film production sets?

Hey all, sorry to bring back an old discussion, but I had some questions with motion capture workflow. I understand the wiring of helmets and camera arms and all that, but I am little unsure of the sync process and the different cameras being used. I see timecode slates being used and all cameras timecode synced, but not sure if it's different to regular production sound jobs. And is there normally a different frame rate for motion capture? If anyone can give me an insight to their audio workflow and gear used for motion capture that'd be awesome. Thanks!

I will be in Barcelona, Spain on the 21st of June and the documentary I am on sprung an interview on me that requires more gear than I brought. Anyone know any sound rental shops out there? Or are there any sound mixers looking to rent out their gear? At the moment this is what I am looking for: (x1) C-Stand (Full or baby works) w/ Sandbag (x1) Boom pole holder for C-Stand (x2) BNC to 5 pin lemo T/C cables (Alexa mini) (x3) Comtek receivers w/ headsets Extras: (x1) Timecode slate (x2) Wireless audio to camera - 1tx, 2rx Thank you!

I like this. I may start doing this as well. How involved do you get with the slating process that it would be something you would have to speak to the director about? I usually just jam the thing and pass it off to the 1st or 2nd AC and then go on with my day. What they do with it is up to them. Last week production requested a timecode slate, they rented it from me, I hand it off the AC, they never actually slate takes. I don't feel responsible for that.