TVPostSound

https://support.zoom.us/hc/en-us/articles/360048388632-New-Updates-for-September-1-2020?fbclid=IwAR1U21oF0Or-Iuf7h0FaJmOkFFVf54Vv2qRokYI5ZUZFaUU73iGMx9dIh2M New features High Fidelity Audio mode - Windows, macOS This option in Advanced Audio enhances “Original Audio” mode, allowing for disabling echo cancellation & post-processing, while raising audio codec quality to 48Khz, 96Kbps mono/192kbps stereo for professional audio transmission in music education and performance applications. Professional audio interface, microphone, and headphones required.

Does yours wobble??

I use the 21mm BBG with my 4025. One caveat, it's not good when moving. The BBG is secured only by a ring of rubber around the body of the mic, and hits the mic when moved up and down. Otherwise, its very good, as any Rycote blimp.

The ADR? Or the English Dubbing?

Indian food......YUUUMMM!!!

Networking, networking, networking. As stated above, sign up at Contract Services first and foremost. Get on the "roster" Don't join the union yet, it costs money, and they won't find you work. When you find a union gig, being on the roster allows you to work a union shoot for 30 days before joining. Thats 30 work days. If you find yourself finding more union work, then join.

Beg, borrow, or whatever you have to do to up your budget. Dont compromise. You want a commercial facility, don't buy gear for a project studio, it will be obvious to prospective clients. How about getting a used Avid Omni HD? Decent mic pres, 7.1 capable.

The Millennia is not even an Opinion in my eyes, its a fact. Of course acoustics is 90% of what a foley stage needs. The Millenia is just perfectly accurate.

If I use software to correct loudness to my stems, what happens when I, later on, need to push in??? EDIT Punch in.

https://www.mil-media.com/HV-3C.html Period!!!

If an EDL is not possible, (never is) No one know how to make them anymore. Get a mono mixdown with your AAF. Import your AAF below the existing tracks. Mute the new AAF. Use the new mixdown to listen for changes against your previous edit/mix. You can at the same time visually look for changes old clips vs new. Conform away, bring up any new material from the new AAF. I just finished a cutdown from 1 hour 10 minutes to 44 minute 30 second consisting of over 250 edits. Took 1 day to match edits, fix and match. If

I stopped reading at the part where you had issues with the USB lightning adapter (sorry) I run the Centrance R4 using the old style USB/lightning adapter, not playback issue. Maybe its an issue with the MPP2 Or supplied cable. Like every other software recording app Rode utilizes the prevent auto lock option. Ive never had a glitch.

Time code does not equate to speed, its only a positioning marker. Reference (black) (word clock) keeps speed. Time code locks to a position, then freewheels unless a common reference clock addresses both units to be synched. HDMI TC in on the Mixpre 3 carries both clock and timecode, from the camera. Think Pilot tone before we had time code.

No they don't "clock" to timecode. They clock internally, the timecode is only a position locator. Ive tested the Mixpre 6, and they drift.

Try Rode Reporter app with that. Easiest recording app to use. I recommend it to all the "actors" on my shows.