TVPostSound

Thats true!!!! Whether the camera person is right or wrong, follow the camera!!😪

Netflix upped the stream to 640 for DolbyDigital+ and 768 for Dolby Atmos They are talking about testing 1.5 (BluRay rates!!!) But if/when Netflix (the 500lb Gorilla) demands 96k audio deliverables, originating at 96k production, we'll jump!! Right now they demand original video shot at 4K, finished at 4K WITHOUT any compression (means using Resolve instead of Media Composer) And will not accept upconverted footage. Waiting to see!!

29.97 Drop frame for EVERYTHING Unless it will be a commercial under 2 minute, then 29.97 NON DROP FRAME.

Vocalign and RevoicePro are my tools to do ADR sync in Protools. Also alt lines. Also Autoalign Post

Much of my work lately has been Netflix. They now demand 24/48 from production through delivery. I still get composers trying to pass off MP3 cues. That doesn’t fly when upmixing to 5.1!! Once media composer goes with 32 bit, it will be heaven. But I’ll be retired then.

I didn't mean requirement, but since Avid Media Composer is capable of 24/48 max, and I get my AAFs from AMC, I tell production guys to record at that rate!! I do reality, and the Assistant editors ingest the ISOs from the recorders, and the video editors edit using those ISOs!! Ironically, they still call the recorder a backup, and cameras the main audio. Though no one knows about gain staging to a camera.

Until Avid Media Composer can handle 32 bit float, 24/48 will be requirement. Avid is the video editing standard here in LA.

I have a barely used Sound Devices MixPre 3 for sale!!! Includes a Bag!!

Back to the original post. Maybe the OP should try another 416, to eliminate or confirm.

Im serious, I cant stand the sound of a lav. Why would I be insane? As I said, the Neutrik connector is for you to find!!!! Isn't this thread about booming indoors??

If you call Apple tech support, and moan enough, they will give you a $29 battery to this day, and a case number for reference at the Apple store. Just had my wife SE battery replaced for $29!!

This is about indoor shotguns!! But since you brought it up, as a re-recording mixer, I cant stand the way lavs sound!! Boom me up Scotty!!!

This does both, if you can find one!!

Looks like the picture he posted has a Tuchel. There are (were) Neutrik Tuchel/XLR adapters with built in P48 to T12. Find a Tuchel cable, and use the adapter near or on your recorder.

Also a Tuchel to XLR adapter?

Ive mixed post on over 400 episodes of Top Chef, and its spin offs. The best I could talk production is a white lav poking out of a button hole, but it had to be white, or black to match the chef coat. Otherwise they want it under the coat, and those things are thick!! Even a button hole was too much of a bother, cause when they got back to the "house" they ripped their coats off faster than the mic could be removed. Many a ripped cable!! Headsets are out of the question. Sizzle, NO I don't want to hear the sizzle, thats what SFX libraries are for!!!!

That would be a great thing, once Avid Media Composer can handle it!! My Protools can do 32 bit float, but I get my ISOs directly through an AAF from MC.

Not relevant!! The fact that the recordings had to be boosted 30dB, before I can even consider mixing.

Subjective low = When you need to raise the clip in post nearly 30dB in order to be nominal. Whats nominal, when average dialog LUFS sits around -24. I (received) had a whole season of this with a show ISOs recorded to a 633. Inquiring minds want to know.

The very last line of the last show in season 2 made me hope for season 3!!

Great great show. For english speakers, DO NOT listen to the english dubbed version!! Listen to the original German 5.1 with English subtitles, you will enjoy the series so much better!

Use the 50, we EQ in post!!

Yes double MS, but encoded, no way to adjust the field.

Izotope RX7 Spectral Repair!!!!

Preferences> Mixing tab> automation banner> include control changes in undo queue (check the box)