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Posts posted by soundtrane
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NAGRIT
sales@nagrit.com
NAGRIT SRL
Via Ildebrando Vivanti, 89
00144 Roma
Italia
Tel. & FAX: +39 06 4543 5090
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simple belt driven is the way to go...
and totally manual.
i have the funk firm turntable with ortofon red.
sounds fantastic.
needs the cartridge\stylus to be calibrated (physical) every now and then.
cheers
-vin
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49 minutes ago, RunAndGun said:
Never had to sync a Tentacle again, after the day had started and we have started rolling.
+1.
Had 16 hour runs with no syncing in between.
-vin
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put a wide blade screwdriver in the slot where the hinge is and twist.
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seems like your earlier soldering was leadfree SnPbAg - hence the requrement of higher temperature... and now you are on 60/40.
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18 hours ago, Dalton Patterson said:
I stumbled across these videos on youtube some time ago. They are the best I have seen.
"If you go to page 3 of your NASA handbook". Lol.
While these may be the way it is done out there - a LOT of it is overkill for the work we do with the equipment we handle.
Some of the good practices - keeping the iron tip tinned, using the ideal quantity of solder for a joint, care in tinning the cable, et al.Some of the things not really needed for what we work with - frequent cleaning procedures with kimwipes - the soldering iron tip, the solder itself and multiple cleans of the job work (the item being soldered)...
Having said this - a lot depends on exactly what is the job at hand... (if one is doing SMD IC replcements - a lot of what is in the video applies. if one is just doing XLR connectors - no...)
As for your predicament - the information is not enough to provide a sensible remedy.I would want to know:
Which Hakko unit?
How old is the tip?
What solder are you using/how old is it/how was it stored? Need to know composition and gauge
Did you clean and tin the tip before attempting anything at all?
Did you use a liquid flux from a flux pen or a syringe before trying to melt the existing solder junction?
So many questions...
TO Dalton: OF COURSE the real good stuff is STILL available. I wonder why you say it isn't.
cheers-vin
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5 hours ago, LarryF said:
To the Group:
The crew at Lectro has recently been getting a fair number of reported problems concerning performance issues with digital transmitters. In almost every case it has been traced back to amplified antennas or antenna distribution /////
Best Regards,
Larry Fisher+111111
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6 hours ago, ramallo said:
In Europe is more easily to find RG213 than the RG8 (both are close), up to 30m without amplification (500MHz) (5dB loss), but 11mm of diameter. The LMR240 is nice, is a bit thicker than the RG58 (6,1mm instead 5,5mm of the RG58), up to 22m for a 5dB (550MHz), but is a bit stifther than the RG58
LMR240 Ultraflex is there...
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rip... met him in person in 1995.... great man.
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use the cables on Pins 1,2,3 on the 5-pin to the 3 pin xlr. both sides. cut off cables going to pin 4, 5.
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6 hours ago, drpro said:
When performance matters LDF-5. About .9db per 100' of loss at most wireless frequencies. Not light, doesn't roll very well, but will impress the client. Have several rolls in the garage.
22mm diameter!!
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1 hour ago, recordist said:
Error 403 - Forbidden
You don't have permission to access the requested resource. Please contact the web site owner for further assistance.
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XLR-3F (microphone plug-on) [1] Ground, [2] Hot(+), [3] Cold(-)
Mini XLR-5M (cable to wireless MIC) [1] [5] GND, [2] AF+, [3]AF-, [4]VDC(5V)
https://wisycom.com/app/uploads/sites/2/2018/05/PHA48-en-b02.pdf
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On 11/3/2020 at 1:26 PM, Fred Salles said:
Hi Soundtrane, do you know the reference(s) of the correct ODU Lemo3 screw-on compatible connector to order?
you wont find it there. Ambient commissioned them to make it. you can get it from Ambient...
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best would be to send to SD service.
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5 hours ago, pillepalle said:
Ambient ha a mini power supply for boompoles that looks nice to me. With the right cable you can attach any mini recorder to it and have a really small recording setup.
https://ambient.de/en/product/ump-iii-universal-microphone-power-supply/
Greetings
will need two for stereo...
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ZFR recorders...
provide power to lapel mics. may work with mics like USI Pro... -
8 hours ago, Valentine said:
The ones I have just discovered from another thread here are called RED16 connectors, I think made by Cable Techniques. I have been replacing my mics with these as they break, so far so good.
This looks like the ODU connector rebranded. the ODU connector was commissioned by Ambient Munich.
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Just now, henrimic said:
True, I have experienced these problems recently. But there is a very simple, elegant and cost effective solution. Instead of a Roger basestation, simply use a Comtek or a Senny IEM, and plug the receiver in the Phonak Multimedia Hub. https://www.raycom.co.uk/product/roger-multimedia-hub/
It's a simple small transmitter that you can put in the pocket of the talent and it's feeded by a simple 3.5 mini-jack.
The only 2.4 GHz part goes from the pocket to the earpiece and the total range of the system is the one of your Comtek.
This transmitter cost the half of the price of the base station, but you need one per talent.
If your talent can't wear any receiver there is also a repeater that extend the range of the base station.
+1
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8 hours ago, Ed White said:
Why do you "have to" use an earwig with an induction loop? What do you mean by induction loop? The kind that is hidden under an actors costume with a receiver, or do you plan on running an induction loop around the set? Both options WAY less desirable than just renting a modern base station and RF earwig,(s)?
imho... induction earpieces are more reliable than RF although the quality of sound may be lesser than RF. personal experience after thoroughly testing the ROGER RF system from Phonak. It takes a lot more effort to ensure sensible 2.4G coverage over a space, plus susceptibility to interference from stronger wifi signals etc.
RIP Evan Mater of Vark Audio
in Current
Posted
Another good man gone...