soundtrane

Been using the ambient unit for years now. the part where the XLR fits is thinner, thereby allowing the boot to sit inside this thinner circumference. It's perfect is all i can say.

<the producers were taking advantage> Usual behavior from that species? GREAT on you to get your talent to switch off their tx. SUPERB. GREAT job. I salute you Rado... -vin WOW! Mike, that seems like it is from another era! NOBODY stays quiet after CUT nowadays. On the contrary, when the call for sound happens, i roll immediately, and my boom ops have deployed, mics in place, and then i delay as much as i can to shout out "speed". this way i get at least a few seconds on every take with the booms in place.... warmest regards -vin

it works only one day of the year...

I got two 742s only because i could use it with the two SuperCMITs i have. you CAN get two isolated outputs from the 742 to a QRX200. Of course the issue here is the power consumption of both units together which is about 900 mA. SO i have been working on a 'battery pack' to plug into the 742. 6Amp Li-Ion battery pack. This way I get about 5 hours plus of working time with the 742 + SuperCMIT combo.

beautiful!

where do you intend to use this?

http://www.amazon.com/Olympia-Tools-85-188-Collapsible-Service/dp/B00M0V5PWA/ref=pd_sim_60_47?ie=UTF8&dpID=41TucV75BdL&dpSrc=sims&preST=_AC_UL160_SR129%2C160_&refRID=0D6JVVHZ48Q5FB6B8399

buddy, you need a good drink and enjoy your time in NYC... wish i were out there...

if i remember right, the SN is etched on the surface, hand written with an etching device...

John Willet - Sir, it is a pleasure to have you here. I am a SuperCMIT user and also got a KM81D... And use a Cantar X3 with native AES42 on the recorder...

http://www.soldthemovie.com/screenings/

Aw, come on, surely you can find at least a local film school or something kid who knows more about it than you do, and pay him a few bucks... if not a professional sound guy.

Mouser/Digikey/Allied/Arrow/Farnell

I have fixed more than one Apple product on my own with no support from Apple. It all "DEPENDS". There are many third party sites that provide a number of spares, I even fixed an iPad with a broken display by ordering a display and changing it. taking out the old shattered display was a PITA, but hey, it's still working after two years... It is definitely a good option to have if the manufacturer provides the info and also the spares, but it is not the case with a company that makes large scale prosumer and consumer products. Ask a professional equipment manufacturer like the ones we know and i am sure there will be a positive response, one that aids you in fixing the problem yourself, with their spares or sourced from the big market...

<The SuperCMIT2U produces a similar boot noise, which may even last up to 12 seconds.> Yes it does, strange digital hash noise...

Hear hear... So did I to someone you know last year... ------ Why not a preemptive AutoMix?

contact Cyril at VDB... Cyril CHAIGNE - VDB PARIS - <cyril.chaigne@vdbaudio.com>

well, there are no faders INSIDE the 633 afaik... Heh.

these panasonics have ports that leak audio - need to close them with a hot glue gun... pads for all kinds of headphones and different sizes are available at aliexpress - a pittance to pay for something like 10/20 pairs...

initial one-time setup with a mac, and then daily sync with my recorder... three features...

I was told a few years ago by Sanken that pre-polarised capsules DO age with time and usage (humidity, sweat etc). they DO age and the result is lower output levels and high frequency sensitivity.

There was quite a discussion on this at AMPS, and Simon Hayes also had some interesting things to say about his experiences while shooting a part of Le Mis with the camera crew outer wear and their cooperation...

another great one gone...

Li-SOCl2 - not chargeable.

I believe the new Venue does this?