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About paulinventome

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    Cinematographer, VFX Artist, Producer. But does care about sound...
  • Interested in Sound for Picture

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  1. Hi all, I have a mixpre 6 II and some rode/akg mics for most work. But i find myself more often using a small Track E rigged to a gimbal or camera because of the TC sync and general simplicity of it. The Track E is a 3.5mm jack and the only shotgun i've found is the Deity D3 Pro and it works fine, sounds good. But i am wondering what other options there are? I can't use Phantom power or XLRs and ideally don't want to adapt (the whole point in this scenario is weight) Are there any standout options in that area? Kindest Paul
  2. Thanks everyone for all the information. It confirmed what i thought. IMHO, float audio is a bit like RAW on cameras. There's a whole bunch of workflows and opinion that really doesn't get RAW or in fact needs it. But once you are working in a RAW environment it's wonderful. You can work a bit faster knowing that you have managed to capture everything you need to in order to give some creative decision making further down the line when it's less frantic. On the sound side if it's a full on production then we'll have dedicated sound dept with all of their standard tricks
  3. Hi, First post, be gentle. I have a MixPre 6 II and it dawned on me that if i use any kind of wireless system then i'm basically loosing the float recording benefits because each wireless system will be doing AD and then DA? So the weakest link between the mic and recorder would be that hardware? Is that correct? Does anyone not do a digital feed from a receiver, so it doesn't have to go through the DA at the end? I have some Rode gear and also the little Rode Gos which i know aren't that useful but sometimes i pop them around to pick up backup
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