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GuyInLyonFrance

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About GuyInLyonFrance

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  • Location
    Lyon, France
  • About
    Just a part time photographer/videographer living the good life in France.
  • Interested in Sound for Picture
    Yes

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  1. I have moved along. I no longer (even before COVID) go to see Nolan's films as they are, for me, difficult to sit through as I often cannot understand half of the dialogue.
  2. Not my choice at all. The DOP just wants it that way, even though he's going to be renting the cameras. Why not two of the same cameras? No idea. That's what I thought, but the DOP is renting all the gear. I have a feeling that he may like one camera while the second cameraman likes the other. Weird. The DOP is also the editor...
  3. Excuse me if I seem to be reinventing the wheel but I'm really just trying to confirm (after some research) some ideas I have about using timecode in a two camera shoot. It's for a longish-term gig that a few friends and I have been talking about that may, or may not, actually occur. Call it a labor of love. We have: 1) A timecode enabled recorder (okay, okay, it's a Zoom F6 but it's affordable and I own it.) 2) Two timecode enabled cameras, one a Canon C300 and one a Sony FS7. My idea is to have one Denecke JB-1 that I would just leave on, to act as a master c
  4. https://www.theguardian.com/film/2020/sep/03/tenet-dialogue-christopher-nolan-sound-technology
  5. Any ideas for a small blimp that would work with the 4025? I'd rather not get something as big as the Rode blimp.
  6. Does anyone have experience using a Rycote BBG with an AT BP4025 stereo mic? I'd like to have something smaller than that mic in a blimp and the BBG looks like it might be a decent alternative.
  7. Damn, that thing looks amazing, an interview crew in one box, and they're probably wondering why it's not selling as well as they thought. (Hey Zoom, it's because you've pitched it to musicians instead of TV networks and producers...) The should re-name it the Covid Live Remote Box.
  8. Hello. Look at the Zoom F6. If you read the manual, it isn't "fiddly", it's just the way it operates. (Driving a car with a manual transmission could be considered "fiddly".)
  9. A Sound Design Mix Pre 3II can record 32 bit float files. I use Logic Pro X for my sound editing and, as I understand things, it converts 32 bit float files to 24 bit while ingesting them. If that is the case, is there any point in recording the original audio file as 32 bit float? Thanks in advance for any information.
  10. I'm thinking of buying either a Zoom F6 or a Sound Design Mix Pre 3II, both of which can record 32 bit float files. Cool. I use Logic Pro X for my sound editing and, as I understand things, it converts 32 bit float files to 24 bit while ingesting them. If that is the case, is there any point in recording the original audio file as 32 bit float? Thanks in advance for any information.
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