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Michael Kocab

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Everything posted by Michael Kocab

  1. Exactly what I was looking for, thank you Larry !!
  2. I recently purchased the MCR54 receiver to go with my MixPre10T. When I scan frequencies with the recorder turned off, I get much lower RF noise levels than when I turn the recorder on. My receiver sits on top of the MixPre, I have a junior stingray bag and there isn't much of a way I could physically separate the two. I am an extreme RF noob, but I understand it wouldn't be proper to just "extend" my whips using two short SMA cables (ground plane issues?). Is there anything else I could do? Wrap the recorder in some sort of RF shielding material? Or just go ahead and buy the Betso Bowties? Do higher end mixer-recorders even have to deal with this issue (RF spray), or is it a MixPre thing? Sorry for the million questions and thank you! Michael
  3. Hi! I’m a sound for film student at FAMU in Prague. I’m writing my dissertation on how wireless microphones expanded possibilities for film making and am particularly interested in the period from around 1965 to 1975, when the technology first started being implemented. I have read George Groves’ account of first using wireless microphones in My Fair Lady and Ed Tise’s article about using wireless mics during the production of Full Metal Jacket, but would really appreciate more information about that period in sound recording. Any pointers would be greatly appreciated, and if any of you who have experienced this era would like to speak with me through a quick online call or chat, I would be incredibly grateful !! Cheers to jwsoundgroup, I really appreciate all of the information I have gained from this forum ! Michael
  4. Hi! I’m a sound for film student at FAMU in Prague. I’m writing my dissertation on how wireless microphones expanded possibilities for film making and am particularly interested in the period from around 1965 to 1975, when the technology first started being implemented. I have read George Groves’ account of first using wireless microphones in My Fair Lady and Ed Tise’s article about using wireless mics during the production of Full Metal Jacket, but would really appreciate more information about that period in sound recording. Any pointers would be greatly appreciated, and if any of you who have experienced this era would like to speak with me through a quick online call or chat, I would be incredibly grateful !! Cheers to jwsoundgroup, I really appreciate all of the information I have gained from this forum ! Michael
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