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Rick Reineke

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Everything posted by Rick Reineke

  1. The (stock) Epic and Scarlett have balanced/unbalanced 1/8" jacks, so when sending a signal from an unbalanced portable G2/3 reciever, you cannot use the 'stereo' input 1/8" to 1/8" cable that comes with the G2/3. (been there, tried that.) The 'Ring' connector on the camera end, must be tied to ground, or use a two conductor 1/8" plug. Thougb the OPs discrption does sound like RF interference issue.
  2. I assume so too, so was I. Some cam ops still don't know the cam menus and/or audio controls though.
  3. On secomd thought, that's a better way of dealing with it. I think you have something there Mike.
  4. Yeah, the stock Epic has two balanced or unbalanced 3.5mm TRS jacks on the front of the 'brain' under the lens. Read the manual for the specific set-up procedure and don't expect the cam ops to know anything about it. Beware, the 'audio present' light only means something is 'plugged in', you must acually see the tiny meters registering and hear the auido. That said, I only send audio to the any RED for reference purposes only. The RED is totally unpredictable and setting's can change each time the camera re-booted. (which is usually quite often).
  5. I would agree with Jack, only aircraft equipped with an ADS-B transponder. "Today about 60% (about 30% in USA and about 70% in Europe) of the passenger aircraft and only a small amount of military and private aircraft have an ADS-B transponder" It may have some usfulness but it's fun to look at anyway.
  6. I've been making and repairing cables for many years, The TA and Hyrose connetors will dirve you to drink. Most of the 'usual supect' pro shops will have cable stock and connectors. I usally get the cable and parts from http://www.markertek.com/ who has an extensive inventory of even hard-to-find items. Sheided or not, I'm not sure I would be conforatable using a cable from the Shack O' Shame
  7. IMO, the Neutrik-Rean "TINY XLR" are much easier to 'assemble' than the Switchcraft TA series. I don't think they are more (or less) rugged though. I have only used the 3-pin series so far. I get them from Markertek. http://audio-video-supply.markertek.com/search?w=Rean+Tiny+XLR&IMAGE.x=35&IMAGE.y=10
  8. The Lectro 150/152 is a 'decent' mic, better than Sennheiser's ME2 IMO. If I'm not mistaken, the Lecto150/152 is actually a VT mic. (Voice Technologies).
  9. Thanks Marc, I make my cables, however getting resistors in the those 1/8' connectors is a challenge, and my eyes 'ain't what they used to be'. Maybe I'll just use a G2 which outputs mic level a lot easier.
  10. A vey good mic. I have one and used it all over the world in extream climatic condtions back in the 90s.. never a bit of trouble and it still works great... I love the hot output and the ability to run on less than 48V PP saving batteries. Not better or worse than a 416.. different, a bit brighter IMO.
  11. Thanks Randy, if it's like the Epic, the 1/8" is a TRS balanced or unbalanced, been down that road already, and a 1/8" stereo cable di'nt work, all was well after changeing to a 1/8" TS. However this the first time using a Comtek for a feed. Will I have to pad the output to mic level. And the Scarlet manual doen't clearly state it. PS- I'm not expecting the cam-op to know anything at all, if past experience is an indication.
  12. I'm planning on sending a scratch track to a Red Scarlet via a Comtek. I assume this Scarlet doesn't have the 'advanced' audio option and the inputs are 1/8" like the Epic. Cables, attenuaters, other issues I should be aware of. Thanks. First shoot with a Scarlet.
  13. "Anyone know if it imports timecode from broadcast wave files, puts them in the right place on the timeline and re-exports them keeping the timecode intact, seems as if it might and that'd be great, but often seems to be a stumbling block for a lot of audio editing programs I've looked at." SF Pro-10 handles TC but not in the way one might expect. You can change the TC stamp in the properties menu of a previously created BWF/WAV, but it will not create a 'new' BWF.... would just be a garden variety WAVE w/o TC.. In Vegas pro, (which has substantial audio capabilities) a BWF can be imported directly to the timeline via the TC stamp... again, if the new WAVE audio file is rendered, any TC info is lost. I have been asking for full TC support for many years, but my requests fall onto SCS's deaf ears
  14. Sound Forge for Mac Allegedly .....This just in: http://www.macrumors.com/2012/06/28/sonys-sound-forge-audio-editing-software-coming-to-mac Good move by the SCS folks... with the recent 'demise' of Bias.
  15. That was very informative Matt. I hear the VT brighter than a (unmentioned) AT4073, but less so than the 416 , which may be good TV prod.. I certainly appreciate your shootout.. time and effort.
  16. Yes, some DVDs go beyond OdBFS (clipped) As for the new reg.s (CALM act) and such, see: "ATSC Recommended Practice:Techniques for Establishing and Maintaining Audio Loudness for Digital Television" Sorry I don't have an exact URL. Addendum: I find the ATSC levels quite adequate for DVD.
  17. I'm with Senator. While a U87 is nice.. most 'radio' talk show networks/hosts (at least in NYC) use an EV RE20 or 27s. Occasionally you'll find some 421s, which is a great mic too .. (other than for drum toms).
  18. If they can give you an OMF or AAF, I'd use the DAW I am most comforatble with.. and one that can handle the video reference file.. depending on the format sometmes one needs to render a proxy.
  19. If your feeding it an unbalanced signal, be sure you use a 2-conductor (TS) 1/8" plug or tie the 'ring' connector to 'shield' on a 1/8" TRS.
  20. I'm with André. Just search THIS forum with the desired keywords of interest. No need for a 'new' category. Makes it easy for our esteemed forum creator too.
  21. Unfortunately I primarily use Firefox, but yes, I see in IE the line vanishes when switching the "Tools> Compatibility" is switched on. Thanks, at least I know it's not something I'm doing.
  22. This was Steve Berkley's (CEO and President, BIAS Inc.) comment in the Created Digtal Music forum on Thurs. June 7. http://createdigitalmusic.com/2012/06/bias-makers-of-peak-cease-operations-mac-audio-editor-alternatives/ "Greetings: We understand that many people are surprised at the closing of BIAS and have questions as to the reason why. Please understand that we are not at liberty to discuss those reasons in detail since they concern matters of individual privacy. However, the conduct of certain employees resulted in disruptive interpersonal relationships which damaged morale and interfered with high functioning at a time when market pressures required that the company perform at an optimum level. Despite the high quality of our products and team, the disruption contributed to a lack of sales and marketing effectiveness that was fatal to the company. Our products remain among the best in the industry, and we are exploring various avenues that we hope will result in our customers still receiving the benefit of the products they have valued in the past. We appreciate your past patronage as well as your patience and support as we move through this difficult period." Steve Berkley CEO and President, BIAS Inc. Member, Marin Audio Technology LLC
  23. Bias - the maker of Peak and Peak Pro and the noise reduction plug-in 'Sound Soup' closed shop. Peak was a well regarded audio editing software for the Mac platform. Apparently this just happened within the last couple of days. It can be confirmed by visiting the Bias website at: http://www.bias-inc.com. Which states: "BIAS, Inc. has ceased operations. We would like to thank all the BIAS customers and friends for the opportunity to have served the audio community for over 16 amazing years. The BIAS Authorization Manager Server is functioning for authorizing and de-authorizing BIAS products at this time."
  24. The PFL is a joke, sort of. Back in my recording studio days, that was my common answer when band members and such always asked, 'What's PFL mean, on that button."
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