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About ProSound

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    Hero Member
  • Birthday 05/01/1983

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  • Location
    Savannah GA
  • About
    Sound mixer for Film and TV
  • Interested in Sound for Picture

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  1. I would ask whatever audio dealer you use to see if they have a better way to contact them.
  2. Haven't worked with FX9 yet but did you try turning the timecode output level up or down in the JB1 menu? Normally the default is fine but I have had to adjust for some RED cameras in past
  3. Yep I have talked to Gordon and Dave ( who does all the firmware) told them it is very confusing still. My advice is to call service for help because if you load the wrong "branch" of firmware you can brick the unit.
  4. Gear Acquisition Syndrome we never stop buying gear as sound mixers
  5. If I was building a starter kit this is what I would do: $2000. Sound Devices 633 Used with bag $1400 LEctro SRB RX with bottom Plate (2) 1600-1800 for both Lectro SMV or SMQV TX (2) $600 for both Sanken Cos 11 lav mics $800 Saken CSM-1 shotgun mic $400 Ktek boom poles and shockmount $200 Used BDS system with cables $200-$300 Used NP1 batteries and charger $1000 for Misc cables media headphones etc $8000-$8500 for a pro level basic kit If you can set your budget at 10K Then get some timecode boxes and make some used Comte
  6. I have been working on small corporate shoots just myself, camera and talent everyone else remotely. Mostly boom only stuff Also been doing some news work which is the same everyone remote but the 3 of us outdoors only boom only for interviews
  7. I am the person who approached him about making a simple version that could do Sleep and Unsleep and Rec on and Rec off. Many times when I am strapped into ENG mode my hands are full and I wanted a quick way to use the 2 most common RM commands I use. I have been using it very successfully the last few weeks. I also wanted a way to Sleep and unsleep without pulling my phone out on certain jobs where clients ask us to not use our phones on set.
  8. I have a Cinela COSI for my Mini CMIT and have used a friends Sanken CSM-1 it is the best thing for eng work period is just as good as a full blimp but the weight of a softee with an outstanding shockmount built in. If I didn't already Own to many mics I would but a CSM-1 My addiction (2) MKH 416 (2) MKH 50 (1) MKH 40 (1) Mini CMIT I used to also own (2) CMIT (1) CS3E (1) MKH 60
  9. For the price the Sanken CS-M1 at $895 would be a great choice similar in performance to a MKH 50 very small and robust. https://www.sankenmicrophones.com/production/shotgun/cs-m1/
  10. I had my first few days of work since early March this past week. It was a multi day corporate interview job with some broll for a client I have worked for in the past. The crew was just myself and the dp. Production rented a large home for us to have multiple interview set up options and the ability for each of us to have our own restroom to use. Ample PPE was provided and outside on the porch of the home we had hand sanitizer along with masks for subjects to wear until we were ready to roll if they didn't have one. We had the producer on one laptop to interview along with the agency/client o
  11. about 5 hours for single battery SMWB model
  12. No one is owed anything I am not sure why you keep beating this dead horse. I already gave you the information you are seeking I own 6 Channels of SMWB the battery life is the same regardless of power output setting I know this from personal experience. Nothing has changed in this product since release and anything IS NOT possible except you are a dense individual who hasn't taken the time to call Lectrosonics on the phone if you want the answer directly from them instead you want to keep posting a bunch of hot air on this thread,
  13. Call Lectrosonics on the phone if you want an answer from them.
  14. The horse is dead if you really want an answer from Lectrosonics pick up the phone and call them instead of posting online hoping they will respond. There is only one battery life chart in SMWB manual in the SMV/SMQV it shows run time at different output powers.
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