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About ProSound

  • Birthday 05/01/1983

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  • Location
    Savannah GA
  • About
    Sound mixer for Film and TV
  • Interested in Sound for Picture

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  1. Only thing huge about this is price the run time and AAA choice make it a non starter for me to even consider
  2. I work with two people that have FX9 and was able to change it to both channels with no issue
  3. I have a Mix pre 6 II with NA on it and an 833 with NA on it. It works very well for productions that are going to do zero audio post. I use it regularly for news live shots and corporate interview style productions. Even in a decent sounding room using it a -2 helps dry the room and make the audio more present. In noisy news live shot situations I have dialed it up to -8 as well. It is worth the money
  4. I hate shots but it does seem like in the last few years the needles have gotten sharper and smaller I haven't felt my flu shot last few years at all
  5. Email Tino@ktekpro.com directly he will get right back to you or call 760 727-0593 They are a very small company but provide great service
  6. Call Audio Dept in Burbank I think Gene Martin has a solution for this. Or you could take a Np1 battery gut the inside of it then install a connector on back of battery to power it
  7. Jerry at Lectro repair can do it as well https://jayceecomms.com/services-policies/
  8. This is an issue with power system and unbalanced inputs won't blame the 833 too much. I would suggest trying another power system to see if problem persists.
  9. I have used my COSI at the beach and in many windy conditions it has yet to fail me
  10. I would consider a COSI for your MINI CMIT. I have one for mine and it is great for all situations along with very durable
  11. 100% I had a interview job last month for a semi regular client that would normally be DP, Sound 2 PA, Make Up,Gaffer and 2-3 clients. The shoot was DP and Sound that was it. They tried to cry poor when in fact they are saving tons of money and complained to me that I was charging them a rental fee for my laptop since I had to manage the Zoom
  12. I would ask whatever audio dealer you use to see if they have a better way to contact them.
  13. Haven't worked with FX9 yet but did you try turning the timecode output level up or down in the JB1 menu? Normally the default is fine but I have had to adjust for some RED cameras in past
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