PelicanSound

Same Here.

Thanks. I was hoping I could just build a circuit to bring down the 48v phantom but I'll just buy the eumel

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I was looking to build the adapter

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I'm wondering if anyone has essentialy taken an Ambient Eumel and built their own. Or the Tram-tr79 adapter.

I know when Bruce was mixing Treme he used a Cantar, Cooper cs208, and lectro wires.

Thanks Abed. Here's another update http://variety.com/2014/film/news/kickboxer-crew-members-still-unpaid-as-union-presses-producers-1201389833/

Dwight Chalmers mixed it, I boomed this one.

That sounds like a good idea. Here's an updated article. http://www.nola.com/business/index.ssf/2014/12/kickboxer_movie_production_cre.html#incart_story_package

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yeah its union. The production signed the tier 2 contract but failed to give the 478 the deposit. I heard from other crew members that they have to pay the DGA before they start filming in Thailand in January. It's been a back and forth game with the upm and accountants these past few weeks.

http://www.nola.com/business/index.ssf/2014/12/producers_of_kickboxer_filming.html

This was a production I worked on. Some of the crew were paid for the first week of work. I'm still owed my check from week one.

I'm available

on my m-72 I soldered wires to the battery terminal for my BDS in case i have to run on batteries for the comtek and not use my BDS power.

Congrats RVD, I look forward to stopping by PSS Nola on Monday!

Kinesio Tek tape works as well as transpore..

I'm not following you here. You are going to get both a handheld wireless mic path and a lav mic path out of one receiver and use a y-cable to split it into the two channels on the camera???

I don't know how you are going to be able to use both TX's at once with one Rx. Double check your info, maybe I read something wrong.

BTW: I grew up in NOLA and go there often. I now live in MS. If you ever need pro sound guys in NOLA, I have a list.

I agree with this guy. I am NOLA based as well and deal with Dan on a regular basis and he is great to work with.

I'm a New Orleans based mixer that is willing to travel, I boom and utility as well. Work has been slow lately and I'm looking for work at the moment. My resume and reference are available upon request. A few members on this board can vouch for me.

Thanks,

Jonathan Berguno

985 - 233 - 9 three one three

jberguno at gmail dot com

Senator was referring to Nick's inquiry as to what blocks are available in the frequency spectrum, Puerto Rico being a territory falls under the same blocks that we are legally allowed to use in the USA.

Here's my bag setup.

When my Nomad arrives I must have the 1.5 seconds hold for tone.

I do not understand why you want that off...

Since Tone button doubles as a channel setup and is being used during a take, I would not want to accidentally engage it without the hold preventing it from happening.

Also I hate soldering BNCs. So I get a quality BNC cable that equals twice the size of the cable I need.

I cut it in the middle and solder whatever plug I want.

I make another BNC cable with the other side.

Rado, I was just curious because based on previous mixers that I have used I am used to have a momentary switch for tone. Also it it feasible to purchase the remote audio bnc to 1/8 timecode cable and use a 1/4 mono adapter to jam my denecke?

Hi Jack or Glenn, I'm currently using a Nomad 4 and updated to 2.61. Do I have to hold tone for 1.5 seconds or will there be an option to have an intermittent tone that I can do 2 quick bursts after a take? -Also where can I purchase a bnc to 1/4" cable to jam my slate? or can I take a bnc cable and solder a 1/4" plug on the end?

Thanks for the suggestions. It was 4 marching bands in washington square with 4 camera/sound crews. I used 2 booms and a cam mounted shotgun. Sounded great

I was going to use the cam mic as a guide track and maybe 2 booms up front

I

Was going to use cheap Azden battery powered short shotguns

I would be following closer to the front by the camera. If I had enough mics I would wire the square but it's quite large

Thanks Marc. It's being shot on 5D's. Should I setup a shotgun on them as well?