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Johnny Karlsson

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About Johnny Karlsson

  • Birthday March 15

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    http://www.johnnykarlsson.com

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  • Location
    Los Angeles
  • Interests
    Music, Food, Beer, Whiskey, Gear, Nature, Travel, Guitars, Technology, Fishing, Coffee, anything new... or old....
  • About
    Sound Mixer for TV, Commercials, Film, ENG, BTS, EPK etc. - Cart and/or Bag | | FCC Call Sign: WRWI473 | | IATSE Local 695 Y-8 Boom Operator | | Dante Certification Level 2 | |
  • Interested in Sound for Picture
    Yes

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  1. Any remotely legit production should definitely have production insurance that covers both people and equipment. If they don’t, that would be a major red flag. Ask them for a COI that lists you as a loss payee. Should be a matter of getting it emailed within the same day. - Anyone renting anything from a rental house needs to have insurance coverage from production. As for S Corp, I was told it only makes sense if you’re making over $150K per year. Went to a “class” specifically focused on what we do, but I haven’t really looked into it too closely after that. One thing that made me appreciate payroll jobs was when the pandemic lockdowns happened - having done enough of them to be able to get unemployment was a life saver …
  2. If it's the same with both mics, I think you can conclude that it is not the mics, but rather it's either the TRX, or there might be something going on with your pole's wiring.
  3. I know you meant 35 milliwatts … Anyway, yeah digital is different. I wouldn’t say anything is any kind of RFI immune, but I’ve been running DBSM @ 25mw with great results.
  4. Scammers putting so much time and energy into these elaborate schemes… seems like their lives would be much easier simply getting a job. Literally any job, especially now when minimum wage has gone up, and unemployment is still below 4%….
  5. Some interesting insights on WMAS here: https://fohonline.com/articles/on-the-digital-edge/wmas-wireless-multi-channel-audio-systems/
  6. The SSM is definitely not water resistant anywhere near this level. I always keep mine in the silicone thing to protect it from sweat.
  7. Right, but makes me wonder if there might possibly be some new features not yet announced, given the steep price jump compared to the DBSM…(?)
  8. Nobody can say for sure 100% what may happen at some undetermined point in the future, but those bands you mentioned are of course the ones we can use in the US at this time. Which one of them would be best is depending on where you work. In a lot of areas in Los Angeles, it’s fair to say scans in B1 look busy, but you can always find a few usable frequencies. A1 looks somewhat better, but random things like EMT can show up out of nowhere and wipe you out, even when the scans looked clear 5 minutes ago. Having one block of clear freqs in 941 might of course better than having 3 congested blocks…. But again, who knows what might be best on any given day at any given location. So many variables possible, including other sound mixers nearby (or driving by). And again, who knows if that gets auctioned off at some point in the future….? So in conclusion - get one of each and you should be covered - at least for now hah!
  9. You have good mics. You have a 552 - that’s 5x good pre-amps with direct outputs. My 2c: I would suggest going with a good converter/interface, such as the ones from UA, or Apogee and record to a DAW (If you don’t already have them, buy or make 5x TA3 to XLR cables). Seeing the you are recording in “good sounding rooms”, I feel there’s no real need for a portable recorder. Plus with a DAW, it’s much more practical for overdubs, punching in etc. And I could be wrong, but when you do final mixing/mastering you would likely be doing that in a DAW anyway. If you’re set on using a portable recorder, I would recommend looking at a MixPre 10 with the music plug-in.
  10. 100% agreed. Only difference is TS-3EL here, otherwise same. I am all for new tech when it can help, but in this case see no reason to bring in BT and apps. —> Jam and verify, then forget about it for the rest of the day. I used to occasionally get an AC coming for a new jam because they had mistaken the on/off switch on the slate for the backlight switch, but ever since the switches got labeled with nice big p-touch stickers, that problem seems to have stopped, or at least been minimized.
  11. The M216 is putting out 10mw, but for a bag situation can work just fine, provided that the PR216s are pretty close. If you are on a cart, go with a BST Basestation, it’ cranks out 100mw, which can provide clean signal quite far, especially if you rig the antenna up on a mast above people’s heads.
  12. Ah ok, copy. I didn't read very closely, just kinda skimmed over it. Thanks for clarifying.
  13. Not sure if I’m reading it correctly, but looks like it was just renewed (?)
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