Rich Reilly

Hmmm. Tom, is Resonate's problem unique..or something more widespread?

Jay, I think it's to ensure "fun"...at 11am.. Senator, It depends.

Makes me wonder how Juiced Link's Lil Darling figures into this. Development seems to be going forward, though they have delayed things supposedly due to feature reconsiderations.....ummm

Thanks Michael, That's a bit more detailed. But.. I'm not so sure the W.I.I.F.M approach given would prevent client from circling back to the PA option. I think a better approach...if resistance is encountered..might be to ask how much they are putting into the production, importance/goal of project, then pointing out missing a critical position or staffing it with the wrong person could jeopardize the production. $.02

Actually the OP is "How to Up-Sell the Producer". But..that doesn't seem to be the net content...in fact quite the opposite.

Ok..when/how does the "up-selling" occur?

http://tascam.com/product/dr-10c/ " DR-10C SERIES OVERVIEW Attention : These models are not available in the US."

...developing

An exploration of GH4 audio metering: http://suggestionofmotion.com/blog/panasonic-gh4-audio-meters/

Sometimes it's worth polling both makers and users. Hey Sheesh. That comment was really unnecessary.

Just purchased a quite used UCR190 that seems to work fine but XLR pin assembly is loose, partially exits when removing XLR...doesn't seem like it can come completely out...seems to perhaps have more play going inside housing. Cable connection seems good while XLR is locked into place...not intermittent or unstable. Is there a simple screw inside that holds XLR assembly in place? I would just assume fix it myself if possible..but seller says opening unit makes it harder to sell, and he wont honor return if I do that. Typical minimum bench rate of service center/shipping would somewhat negate the sense of the purchase. Any thoughts on board or PM much appreciated.

I've implored them to explain further the software end of things..since post has a bit of say in whether to embrace the tentacles. Yeah you can sync files in their SW..but then what? And how in quantity?

"Eric....(who started the whole mixers party thing 25 years ago)" Somehow, not surprised! Those attending must ply him for stories..

Of course, another option is to employ a boom/sound op to dynamically adjust position and levels of one reasonable quality mic per the circumstance... But I would think a fair compromise would be to have proximity in sync with lean.

Any zippering with the pots?

With an understanding with the post folks...: http://blog.audio-technica.com/robert-bigelows-tips-mid-side-mic-recording/ I can imagine it useful in a "wide and tight" 2 camera situation as well...assuming wide still allows reasonable mic placement.

Yes..I get the premise..and methinks with the formal denial of permission x2, unnecessary. It certainly doesn't seem the plaintiffs are truly after them. We'll see..

"CSX has fired back saying it twice denied permits to film on the train tracks in writing. The train company also maintains that Jones knew of the danger she faced in working on the live train tracks." Hmm..they needn't go there to cover themselves..or do they?

Stylist is filing multiple suits, including against the landowner. Is this an all of the above approach, or has there been suggestion they misled someone?

It depends. Contact the manufacturer.

I guess I'm wondering whether it can create a new file, replacing cam audio with recorder's, and how the naming is handled.

So...the software syncs and attaches A and V? How does it handle naming of resultant exported file? Is batch processing available? The clip seems to show exporting in a manual fashion.

Looks like it would provide lots of gain...

This thread took an awkward turn

So..commercials..regardless of context? single boom over talent or lavs, iso rec x__?