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About TimoK

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    Hero Member
  • Birthday 01/01/1982

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  • Location
    Hamburg, Germany
  • About
    I studied audio engineering at SAE Munich and MU London and specialize in underwater recordings. After developing the first underwater surround recording technique I received a grant from the EU to found my own company "Sonar Surround". In 2010 my company merged with Ambient Recording.
    Beside my silly ambition to listen to coughing herrings I've been a sound mixer for German cinema and TV for a couple of years but with the success of Sonar Surround and having employee, visits on location became a rare joy.
    In April 2017 I joined Rycote.and am looking forward to all that may come.
    Working with Rycote means far more than a job. To most of my new co-workers it has been their second home for ages. Therefore, I feel very privileged, and honoured that they entrusted me with such an important role within their family.
  • Interested in Sound for Picture

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  1. Hi Daniel, There'll be sets of 2 tips available with launch for a UK MSRP of £ 34.96 ex VAT. Cheers, Timo
  2. Hi Pan, 1) the PCS-Boom comes with one generic 3/8" tip and you can use it with whatever you like. The Classic, and Cyclone Adaptor were made based on feedback we got from the sports broadcasting industry. They still didn't use any quick connection system even though their workflow would strongly benefit from it. One of their main reason was that they were scared of the amount of replacement spigots they would have to buy after every season, as the windshields are thrown around by non-sound people during setup and teardown. Therefore, they were asking for a more integrated solution. W
  3. Hi All, We really thoroughly tested it in Germany... I'm still based in Hamburg, and we used the facilities here and a big workshop in Berlin to test everything way beyond its capabilities and continuously improved it until we were happy with the results. One example is that we increased the connection strengths to ten times what was specified when I took over the project. Basically the only thing we left untouched is the mechanism itself. The rest was flipped upside down and modified to a degree that it looks like a completely new product. However, it's still based around the c
  4. Thanks All, very good input, indeed. I will definitely have a play to see if we can make something happen. I might come back to you and ask some more question when I'm dicing into it. Cheers, Timo
  5. Very interesting idea Eric, will give it a thought. Thank you However, as we would need some new tools to make this happen it won't be an easy decision to take, and I'm afraid it wouldn't be available soon. Anyway, it's definitely worth considering. Cheers Timo
  6. Thanks Vas, it's a new challenge and was a chance to work with some of the nicest people in our industry... Love it!! Hope you're doing great, too, sir.
  7. Thank you for your honest feedback Eric, and glad to hear that you are happy with the BBG. I will look into this but as mentioned earlier, I have some doubts that the very short body would allow to hold two Lyres, and a BBG. Please bare with me to give it some thoughts. Cheers Timo
  8. We swapped out the internal XLR with our short right-angled XLR some time ago. So, now the WS-10 works with mics up to 13cm lengths.
  9. Hi Eric, Just curious, would you prefer a smaller diameter BBG over a WS-10? It's not that much longer than the CS-M1 with BBG and connector and provides a far better wind protection as it also covers the mic body and the connector. http://mymic.rycote.com/products/windshield-ws-10/ A BBG might be tricky to mount and still have enough space for the Lyres.
  10. Hi Ilari, yes, very light microphones are a challenge to suspend. The distance between the Lyres plays a huge role, too. With such a short body, the weight of a windshield is mainly carried by the first Lyre. The longer the body / distance gets, the more the second Lyre can support the first. Therefore we had to go for the 82-shore in the front because it needs to be able to carry a Softie and most of the weight of the mic. The second Lyre had to be 82-shore to control the side movements. When you attach the Softie, you obviously have the main load before the first Lyre, and the body act
  11. Hi Armin, Sorry for the belated answer. Just to put it out there. You can just take the C-arm with UFO suspension off within a second with 2 fingers. Cheers Timo
  12. Hi Miles, maybe try to go through our page which is responsive: www.ambient.de/en/university Hope you like it! Timo
  13. Dear sound community, As timecode and sync technology is our passion, for many years we wanted to develop easily accessible, short-subject educational videos that break down and explain these modern production elements. Ambient University provides the information and instruction for low budget productions as well as the most sophisticated setups all around the world. Our videos about timecode and synchronization provide in-depth background information, while other videos demonstrate how to use that knowledge in the field. This video library includes step-by-step tutorial video
  14. We proudly present one of the biggest Firmware updates in our history. Including Complete GUI overhaul, New Smart TRX Mode, Full Jam Mode, Custom Slate Clap Display, ... and many more improvements. To get the full story, just follow this link: http://eepurl.com/bMtgIT or just download Firmware 4.01 on www.ambient.de/en/downloads Kindly Timo
  15. Dear Ambient Recording friends,we are happy to welcome another key player of our industry as new member to our ACN™ family. With the integration of RED Digital Cinema cameras into our metadata system, we now are able to provide camera information to script and post from the two most popular cinema camera manufacturers. Furthermore, syncing RED cameras with an ACL 204 now is plug-and-play. Additionally, we are proud to present the first manufacturer that has integrated the ACN OEM module, and to introduce great new accessories for the popular ACN-LS digi slate.Please visit us on IBC Hall 8C73 a
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