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Iacopo Pineschi

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About Iacopo Pineschi

  • Birthday 09/16/1986

Profile Information

  • Location
    Italy
  • About
    Studying Sound Techniques at "Centro Sperimentale di Cinematografia" in Rome
  1. I'd take one... with Zaxnet Inviato dal mio GT-N7100 utilizzando Tapatalk
  2. But what ruins a frequency scan also ruins radio transmission, so I think the rule should be to scan for frequencies with everything turned on.
  3. thank you very much for your help. By the way, maybe my plan of coming one month in the summer and trying to get a job becomes less realistic. I thought that the word "recordist" would clarify that, but it seems that I was wrong. So, I'm a tracker, because that was requested whenever I had to take care of sound, but I want to be a mixer. Inviato dal mio HTC Desire usando Tapatalk
  4. My main concern was about the fact that I did most of my jobs without mixing, while I read here that you in America (the whole continent ) give a lot of importance to the mix. That's the most important thing that I should learn before trying to get into the network. Really? So I can't work until I'm resident? Doesn't it take years?
  5. Hello people, I'm a sound recordist and currently a student in the national film school in Italy. As soon as I'll finish the school (at the end of 2013) I'd like to move to Canada. Being the american way of making movies, especially for the sound dept, very different from the one I'm learning here, I'd like to make some experience there as a boom op, utility or assistant before trying to take jobs as a sound mixer. My plan is to make a trip to Vancouver (or Toronto?) this summer, maybe July and August, but I'd like to know in advance if I can get some work to do, so that I can get some acquaintances and some knowledge of the american way of working. Where should I go? How can I start getting that kind of experience? Every suggestion is welcome, thanks in advance!
  6. This is interesting. The result would be like a compression, but it would sound less artificial. Today I was looking the features of the best recorders (I was looking at 788, nomad, fusion and AETA 4minx) and I still couldn't say wich one I preferred. I think this no-clip feature can be the killer feature.
  7. Thank you for your review, Johnpaul! I'm a student and I still don't get what seems to be the best thing about the Nomad: how can the pres never clip? Do you mean that you can have a clean noiseless voice even at -60db, so that even any sound 60 db louder than that would clip? Or there is just a very good limiter, so that even when recording a voice at -20 db the sound at +30 would be limited and will not clip?
  8. That's what happens also in a lot of the sets where I work! I do that just to make sure that the clapping slate is at the beginning of the file and not after a minute of "engine! No no no, blablabla... "
  9. Often I find useful to call "sound speed" before starting to record, making use of the recorder preroll. This way I avoid those long empty times or false takes, mostly on amateur sets. Do any of you do the same?
  10. I once had the same problem, I was shooting outdoors, quite far from the city, so I had to try to fix it by myself. I found out that it was something into the CMC6 that was moving. I first removed the capsule. I discovered that the little screws that keep the CMC6 closed do not hold it like ordinary screws, but they are in the inside, pushing out on the casing, keeping it still. In fact, if you try to screw them clockwise they will keep to go into the mic and they finally will fall into it. If you see one of the screws missing, that's probably what happened and you have just to open the CMC6, take the missing screw and put it in its place. (First post, hello everyone!)
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