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galwaysound

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About galwaysound

  • Rank
    Hero Member
  • Birthday 10/17/1970

Profile Information

  • Location
    galway, ireland
  • Interested in Sound for Picture
    Yes
  • About
    Eng/efp recordist based in Galway on the west coast of Ireland. Have been involved in sound for since '95 and as a full time career since 2002.

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  1. You could try this rental house, mostly camera stuff but they do carry some audio gear. https://camerakit.ie/hire/product-category/audio-hire/ Regards Trev
  2. Hope I'm not stating the obvious. Have you ensured that Input Configure is set to 8 or higher(p33 of manual), this enables Zaxnet and IFB is set to TX and not Off. Both of these features are found in Zaxnet menu. If above settings are disabled Zaxnet Ver is blank in About page. Regards Trevor
  3. Kortwich make a variety of hi rose power distribution solutions. http://www.filmtontechnik.de/en/products-from-kortwich/power-supply/hirose-distribution-box/
  4. I use this adapter, very handy when you've access to mains power. http://www.hawkwoods.com/products/details/details.php?code=ps-65n&mainMenuItemToSlide=4&asi=npa-sqn&asi2=npb-sqn4s Trev
  5. @ Vale Loop Record is how the TX records (continuously, overwriting old data when the card fills...NonLoop stops recording when full). Power Roll is completely separate. This is when you remotely get the TX to boost it's output power when you engage record on the Nomad. This is done in the Zaxnet menu by selecting Dynamic in the Transport Commands. It's all there in the manual if you read hard enough. As Rado said earlier the QRX displays Rec to let you know that the TX is in record. Regards Trevor
  6. Thanks Rado, look forward to your reports. Trev
  7. Hi lads, where did you get the new firmware? Has it been officially released, I don't see it on the Zaxcom site. Trev
  8. I use WiEye app for Android and anytime I do a scan 2.412 & 2.462 seems to be the most common frequencies. As Wandering Ear mentioned above about even freq allocation I have tuned my Nomad and ERXs to 2.430 and TRXs to 2.468 with increments of .002 for additional TRXs to allow monitoring from the ERXs. Trev
  9. On my current job the Camera dept. are using a wireless follow focus which utilises an item that looks like a small set of binoculars mounted on top of the camera that gives a digital readout on a box mounted on the side of camera, think it might be called ' Cine tape'. It sends out some form of supersonic pulse and relays the focal distance back to the readout box so 1st AC can double check his focal length with a quick glance. Not sure if this is part of the follow focus package or a stand alone piece of kit but agree it would be handy on reality and doc type work. On these type of jobs I try and glance at lens and guestimate where on the lens DP might be or catch his eye and hope for the 'pinch' gesture to signify a tight shot or suchlike. Regards Trev
  10. If you press down 5 times you go straight to the extended menu, the 6th press brings you to the factory menu where you don't really need to be as John has mentioned. Trev
  11. @Simon, should have got art dept. to stencil 'Sound speeding' on the side of the van. You could call your vans Mach 1 and 2. Trev
  12. Seems to be some semantic misunderstanding. Are we talking about front and back(on top? same as 788) or top (controls) and bottom (xlr inputs)? Trev
  13. Last week on a job, 2 talent were driven down a track to walk back towards camera. Signal was patchy on the drive but as soon as they got out of the vehicle I had them clear as day, distance was 400 yards. Txs(900 LAs) set at 50mW placed in chest pockets, dipoles mounted in bag. The location was the countryside with no RF interference. In urban environments I've gotten 100 yards + in line of sight situations with dipoles mounted in front of bag (no elevation) and Txs at 50 mW. My 2 cents Trev
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