VASI

I love Dave sense of humor!

A blend of British and North American humor! I like it!

Rumors of estimated availability?

What happened to SMPTE Timecode 2 discussions?

So, what is a "naked audio"?

Outputs for 5.1

Steinberg & Rupert Neve Steinberg team up with Rupert Neve – two new interfaces – UR-RT2 and UR-RT4, will be shipping from the beginning of June. “I’m very glad that we can work together with Steinberg. We are proud that we've helped move this type of sound quality and character into a new market and audience,” said Josh Thomas, general manager at Rupert Neve. The UR-RT2 comes with four inputs and two outputs, while the UR-RT4 boasts six inputs and four outputs. Both interfaces offer USB 2.0 and MIDI connectivity alongside a range of input/output options for laptop and iPad, as well as providing DSP-powered effects for zero- latency monitoring. Together with the studio-grade D-PRE preamps by Yamaha and the featured Rupert Neve Designs transformers.

Hi Alejandro, I own four Viviana Straps, but I will buy some URSA later. I didn't had the change to wash Viviana Straps so far, to tell you my opinion.

Thank you guys! I learned a lot!

New Firmware Version 3.3 Fixed DC OUT button, was enabled even in the BATTERY and EXT DC tabs Fixed metadata note edition: possible device freeze when note length is >32 chars Fixed metadata in playback: wasn’t possible to remove false start status Fixed metadata scene modification: take number was not always updated correctly Fixed empty project: ‘UNNAMED’ folder could be created multiple times Fixed track name edit: system instability when modifying the track name or color while recording Modified WAV filename: replaced space with underscore chars (between filetag, scene and take) https://www.sonosax.ch/product/sx-r4p

Whatever you are gonna buy, they will do the job.

Hi, Maybe Hong Kong isn't a market for 134,290 HKD recorder. Same can be said for here (GR).

Once happened to me with 633. Free Run, 1 hour the recorder was off.

Draw a line. Say to the production - it's ok to not rent my gear, but you have to rent A recorder, A wireless, A accessories bla bla (aka your "gear" from different provider). Because you are familiar with that kit, because you produce X quality with that gear and because the project require that gear. At the final stage, you can negotiate the price between your kit and X provider. Always bring your headphones.

BTW, @login has bought WiSycom

I did a commercial yesterday with ARRI Alexa Mini. ARRI Alexa Mini Firmware: 5.2.17 Sound Devices 633 (latest firmware) Free Run 25 FPS At 08.00 morning we did a jam sync from 633 to Mini (REGEN). After 35 minutes running (with REGEN setting), timecode decided to started from 00.00.00.00, again. We decided to change from REGEN to PRESET (after jamming). The good thing about the new firmware (5.2.17) is: - From 100 FPS to 25 FPS there was no freezing (like older firmware). After FPS change, timecode was the same as 633. - Break 30 minutes; camera off. After break time, timecode was there like 633 (ok, good camera internal battery). Note: Project Frame Rate and Timecode Frame Rate must be the same (into camera).

I would buy sooner or later the MixPre-3. One boom - Two wireless - EXT Timecode. 90% of my jobs is one - two wireless and one boom. For the needs of atmos bla bla I have three mic preamps / ORTF TRI (three CCM's or MKH 8040). Plus Wingman App if I need to go fancy and sexy (hehe). For 4 wireless and more needs; then I would consider the F8 or something else.

You can't advertise the "ultimate docu camera" and you don't include timecode I/O. Just saying.

Hi Ilari, I tried a starquad cable from receiver to recorder; still no bueno. The problem was from transmission side (tx and lavalier). I wonder if I had a digital wireless, things was better; but I don't know.

Yes, Simon. I am not going to make "experiments" (last minute) with dialogue in an entire cooking show, because the editor it's lazy and without post audio.

Director wanted from me to record a slow motion audio. What can I answer to that? Tell me. Hahaha How many times, Christian. How many times...

- Can you record audio at 50 FPS and not in 25 FPS? Goosebumps

Today, I have experienced a nightmare in a cooking show. Wireless & Induction Kitchen Some sort info's: Wireless was Sennheiser G3 (626 MHz - 688 MHz) and G2 (780 MHz - 822 MHz). Lavaliers was DPA 4061. I know, 780 MHz - 822 MHz isn't very good here; but usable. The kitchen was without any extra furniture, so the whole system (below glass surface) was expsosed (not visible to camera of course). When the chef was turned on the kitchen for cooking; wireless went crazy, both of them. The sound was something like huge noise gate, plus extreme denoise, plus extreme compression. Like RF swallow into black hole (use your imagination). I did everything from my side; changing frequencies, changing lavaliers, changing everything with all combinations. Same story: No bueno. Booming was not possible; yes you thinked correctly, extremely wide shoot (master camera) plus exterior (45 meters away was passing a train every 4 minutes). So everyone went crazy because of "sound problem", the kitchen nightmare; not the train nightmare. I have asked a simple question, if we had that kitchen from previous season. Guess, the answer was "no". And the story goes crazy. Next time, cooking show, I will ask what type of kitchen will be. After "where", "when" (and why in my inner thoughts).

Excellent!

+1