VASI

Hi Jule, Yeap, that's the way we go to playback mode. To exit from playback mode we have to hit the touchscreen and choose "exit from playback"; that's the problem. PS. Mic preamp and headphone amp from this little machine is amazing.

I will start a project, March 2019. We will use Sanken COS11 with Bubblebee Lav Concealer. As far with minimum tests we did, looks like a pretty good solution for Sanken COS11 users. Pros: Metal clip, tape is really strong and size. Cons: Their specific tape with rounded corners; but you can cut your own tape without that bend shape, if your run out of stock. 5 of 5 stars

Firmware 3.3 - Current playback: Choose the file - switch play - you hear the file. To exit from playback, you have to go into menu and press "exit from playback". Is there a shortcut or something else to make this routine disappear?

44kg - Νo thank you. I am doing sound, not weightlifting at Olympic Games. lol

Is a digital hybrid; not analog at all.

QXS Series from Ambient; wear the collars from QS Series. The collars from QS is the best at the market right now IMHO. One of the thing I like at QS Series.

Please, bring it to EU

I like Marvin Pontiac

I love yellow. These will fit inside a waist belt (like from URSA or Viviava), so no issues with being visible the color. Smaller transmitter is the next big thing from Deity.

Hi Neal, Great bag and gear!

I think, Crew, was just saying about the fast cut at the end of the video. Welcome, RocketTreeAudio!

How a firmware update cause increase hiss in mic preamps? Is there inside the code something which decrease hiss in mic preamps?

3.01 is out. Not sure if this has been adressed, @whatisvalis

Over 5 months now, we record both audio and timecode (FS7) at 50 FPS without a problem. They choose 50 FPS in 1080i, because at 25 FPS the viewfinder was not workable (glitch image when camera was in movement). I think that problem is in the design of FS7 viewfinder (maybe some older version models). Imagine to have a glitch audio at headphones because of problematic headphone amp and you have to listen it through one of the main output. Return and refund, now. lol

Thanks for sharing!

The most common microphone on set is the slate microphone. Everyone has one. Hehe

I think, the size of pocket for URSA and Viviana Straps are the same; I do find the pocket for Sennheiser G3 to be very tight. Especially if you have to change the batteries or make some transmitter adjustments, you need to pull out the transmitter in most cases. Not fast workflow, but.. it is what it is

Speaking of dialogue levels at production stage, I tend to have it around -6 dBFS / -12 dBFS (not RMS). Call me crazy, but I prefer PPM metering scale. 0 dBu = -18 dBFS seems low.

Danke Matthias!

Awesome! I like and the .audio TLD

I thought the life after ZaxMote was much easier for Zaxcom environment.

Make sure, SDI can transport 4 channels of audio and not two. Is this what you ask?

What I like about A10-RACK is the support of other wireless receiver brands. The switch between a shotgun to a lavalier in A10 Tx without damaging the electronics is a huge plus. When a transmitter acting for both case senario (boom or lavalier use) without the need of extra investment on plug-on is welcome (since we are talking a $$.$$$ investement).

We are not a video community. I wonder how many years or months or days has been passed when MKH 416 was labeled as "a standard" weapon.