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Everything posted by VASI

  1. Hello to all. I have one question about the bounce on the ProTools 10.0 I have done the stereo mix. (music track) After the bounce in mix they created two files (.wav) For example: mymix(L).wav and mymix®.wav I opened the file mymix(L).wav and it is a stereo and the mymix®.wav also is stereo. I tried different bounce but they create the same format [mymix(L)] and no one file (.wav) Mr. Wexler can be remove this topic in the categorie "The Post Place"? Thank you very much Vasileios Alexandris
  2. SoundWorks Collection The Sound and Music of The Girl with the Dragon Tattoo In this SoundWorks Collection exclusive we talk with Composers Trent Reznor and Atticus Ross, Sound Re-recording Mixer Michael Semanick, and Re-recording Mixer, Sound Designer, and Supervising Sound Editor Ren Klyce. The Girl with the Dragon Tattoo is a 2011 English-language drama/thriller film. It is the second film to be adapted from the Swedish novel of the same name by Stieg Larsson. The first was a 2009 Swedish-language/English dubbed film. The 2011 film was written by Steven Zaillian and directed by David Fincher. Daniel Craig stars as Mikael Blomkvist, and Rooney Mara stars as Lisbeth Salander. In essence, the film follows a man's mission to find out what has happened to a girl who has been missing for 36 years, and may have been murdered. Sound Credits: Al Nelson…Sound Effects Editor Alyson Dee Moore…Foley Artist Bo Persson - Sound Mixer: Sweden Chris Munro - Sound Mixer: UK Clint Smith…Recordists Coya Elliott …Assist- Sound Effects Editor Daniel A- Greenwald - Additional Utility Sound Danny Caccavo…Digital Editorial Services David Hughes…Sound Effects Editor David Parker…Re-recording Mixer David Raymond - Sound Utility Dmitri Makarov…Digital Editorial Services Doc Kane…ADR Mixer Doug Ford… Engineering Services Drew Oliveras…Recordists E- Larry Oatfield…Conforming Editor Europa Sound…Loop Group Eva Porter…Client Services James Austin…Engineering Services James Spencer…Assist- Re-Recording Mixers Jeannette Browning Hernandez…ADR Recordist Jeremy Molod…Assist- Supervising Sound Editor John "J-T-" Torrijos…Video Services John Countryman…Video Services John Roesch…Foley Artist Jonathon Stevens…Music Editor Juan Peralta…Additional Mixing Kyrsten Mate…Sound Effects Editor Malcolm Fife…Dialogue Editor Marco Alicea…Digital Audio Transfer Marie Ebbing…Music Editors Mark C- Grech - Second Boom Mark Weingarten - Sound Mixer Mary Jo Lange…Foley Mixer Mattias Eklund - Voice-over Recordist Michael Levine…Digital Audio Transfer Michael Primmer - Boom Operator Michael Semanick…Re-recording Mixer Mike Lane…Client Services Nathan Nance…Assist- Re-Recording Mixer Noah Katz…Digital Editorial Services P-J- Corvus - Audio Technical Support Peter Schultz…Loop Group Ren Klyce…Sound Supervisor / Re-recording Mixer Renee Russo …Post-Prod- Sound Accountant Richard Quinn…ADR Editor Ronald G- Roumas…Recordists Rune Palving…Swedish Sound Recordings Scott Guitteau…Sound Effects Editor Stefan Ljungberg - Boom Operator: Sweden Thom Brennan…Foley Editor Tom Johnson…Additional Mixing
  3. Online Audio Converter http://media.io
  4. I can't view the player. (run with mozilla firefox 9.0.1 , I hate this version)
  5. This pictures shot today but the snow it's little in Thessaloniki. In the other locations in north Greece the problem is big. Go video in 38:38 minute. http://www.megatv.com/megagegonota/summary.asp?catid=17650&video=0 Sorry about the language. I didn't find news to other language. I don't use the boom, because from tv station want to view the logo in mic.
  6. ENG - Live for News Location: Greece, Thessaloniki city Time: 08:30pm
  7. Where to find old school photos from production sound?
  8. Happy New Year This is sound from fireworks: http://soundcloud.com/vasileiosalexandris/happynewyear_soundfromfireworks Record Device: ZOOM H4n Record Technique: XY (120 degrees) Record Time/Date: 31-12-2011, 01-01-2012 / 00:00 Sample Rate/Bit Rate: 48000Hz / 24bit Audio Edit: Fade In, Fade Out Without EQ & DSP
  9. Happy New Year for all and thank's the jwsoundground members for the usefull informations about the production sound. These days will post the sound from fireworks celebration in Thessaloniki.
  10. Talk about this forum for cinema. But the soundtrack from production sound is The Cinematic Orchestra http://www.youtube.com/watch?v=0KoEAyMPbMA
  11. Created the 1 and 2 in the same font because the style is very close to original logo. The number 4 is a signature from Dali.
  12. I have time to create some logotypes for this forum. Without money because information of this forum, help me very much. 1. 2. 3. 4. 5.
  13. Finish my college and bought Schoeps CMIT 5 U and Lectrosonics with Sanken Lav.
  14. also know from "Billy Elliot".
  15. "Sometimes I am two people. Johnny is the nice one. Cash causes all the trouble. They fight." Johnny Cash
  16. This file recorded at 96kHz / 24bit My first record from this recorder. In your question the answer is no for this project. Because I want the original sound from this mics (the ZOOM mics) with out EQs and DSP. For other projects the answer is yes. Download the file (it's free).
  17. Very interesting. Have you a test file for this mics?
  18. or Audio Technica: http://www.eu.audio-technica.com/en/products/product.asp?catID=2&subID=17&prodID=1122
  19. +1 for ZOOM H4n. You having a good quality and low price. Check this test: http://soundcloud.com/vasileiosalexandris/soundwalks-thessaloniki-mitropoleos Walking in the street and recorded. The only editing for this test is fade in, fade out and give +6 dB trim. Without EQ or DSP.
  20. SoundWorks Collection The Sound and Music of War Horse From director Steven Spielberg comes “War Horse,” an epic adventure for audiences of all ages. Set against a sweeping canvas of rural England and Europe during the First World War, “War Horse” begins with the remarkable friendship between a horse named Joey and a young man called Albert, who tames and trains him. When they are forcefully parted, the film follows the extraordinary journey of the horse as he moves through the war, changing and inspiring the lives of all those he meets—British cavalry, German soldiers, and a French farmer and his granddaughter—before the story reaches its emotional climax in the heart of No Man’s Land. In the exclusive SoundWorks Collection video we talk with Sound Designer and Re-recording Mixer Gary Rydstrom and Composer John Williams. Sound Credits: Orin Beaton - Boom Operator Lisa Chino - Assistant Dialogue Editor Brian Chumney - Assistant Adr Editor Kyrsten Mate Comoglio - Sound Effects Editor Colette Dahanne - Foley Editor Giancarlo Dellapina - Second Unit Sound Mixer Luke Dunn Gielmuda - Foley Supervisor Teresa Eckton - Sound Effects Editor Sean England - Foley Recordist Thomas Fennell - Sound Trainee Tim Gomillion - Sound Recordist Nia Hansen - Sound Effects Recordist Richard Hymns - Supervising Sound Editor Tom Johnson - Sound Re-recording Mixer Christian Joyce - Prod- Sound Mixer: Splinter Unit Noah Katz - Digital Audio Engineer Mitch Low - Sound Maintenance Alan MacFeely - Pro Tools Playback Operator Zach Martin - Assist- Re-recording Mixer Jeremy Molod - Assist- Supervising Sound Editor Cheryl Nardi - Dialogue Editor Andy Nelson - Sound Re-recording Mixer Timothy Nielsen - Sound Effects Editor Jonathan Null - Adr Supervisor Richard Quinn - Dialogue Editor Gary Rydstrom - Sound Designer Gary Rydstrom - Sound Re-recording Mixer Matthew E- Taylor - Sound Effects Recordist Stuart Wilson - Production Sound Mixer Doug Winningham - Sound Effects Recordist
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