VASI

Online Audio Converter

http://media.io

I can't view the player.

(run with mozilla firefox 9.0.1 , I hate this version)

wow

This pictures shot today but the snow it's little in Thessaloniki.

In the other locations in north Greece the problem is big.

Go video in 38:38 minute.

http://www.megatv.com/megagegonota/summary.asp?catid=17650&video=0

Sorry about the language. I didn't find news to other language.

I don't use the boom, because from tv station want to view the logo in mic.

ENG - Live for News

Location: Greece, Thessaloniki city

Time: 08:30pm

Where to find old school photos from production sound?

" Black fur would be just as good as the grey, right? "

it depends on how dark you want your recording to sound

Mini-jack input for the professionals..

Happy New Year

This is sound from fireworks: http://soundcloud.com/vasileiosalexandris/happynewyear_soundfromfireworks

Record Device: ZOOM H4n

Record Technique: XY (120 degrees)

Record Time/Date: 31-12-2011, 01-01-2012 / 00:00

Sample Rate/Bit Rate: 48000Hz / 24bit

Audio Edit: Fade In, Fade Out

Without EQ & DSP

Happy New Year for all and thank's the jwsoundground members for the usefull informations about the production sound.

These days will post the sound from fireworks celebration in Thessaloniki.

Talk about this forum for cinema.

But the soundtrack from production sound is The Cinematic Orchestra

http://www.youtube.com/watch?v=0KoEAyMPbMA

Created the 1 and 2 in the same font because the style is very close to original logo.

The number 4 is a signature from Dali.

I have time to create some logotypes for this forum. Without money because information of this forum, help me very much.

1.

2.

3.

4.

5.

Finish my college and bought Schoeps CMIT 5 U and Lectrosonics with Sanken Lav.

also know from "Billy Elliot".

"Sometimes I am two people. Johnny is the nice one. Cash causes all the trouble. They fight."

Vasileios

Quite impressed with the H4N track you recorded, seems to be quiet enough and with pretty decent imaging, is handling noise a problem at all when getting these recordings?

This file recorded at 96kHz / 24bit

My first record from this recorder.

In your question the answer is no for this project. Because I want the original sound from this mics (the ZOOM mics) with out EQs and DSP. For other projects the answer is yes.

Download the file (it's free).

Couple MK-012's

Very interesting. Have you a test file for this mics?

or Audio Technica: http://www.eu.audio-technica.com/en/products/product.asp?catID=2&subID=17&prodID=1122

+1 for ZOOM H4n. You having a good quality and low price.

Check this test:

http://soundcloud.com/vasileiosalexandris/soundwalks-thessaloniki-mitropoleos

Walking in the street and recorded. The only editing for this test is fade in, fade out and give +6 dB trim.

Without EQ or DSP.

Congrats and good luck Pillai.!

SoundWorks Collection

The Sound and Music of War Horse

From director Steven Spielberg comes “War Horse,” an epic adventure for audiences of all ages. Set against a sweeping canvas of rural England and Europe during the First World War, “War Horse” begins with the remarkable friendship between a horse named Joey and a young man called Albert, who tames and trains him.

When they are forcefully parted, the film follows the extraordinary journey of the horse as he moves through the war, changing and inspiring the lives of all those he meets—British cavalry, German soldiers, and a French farmer and his granddaughter—before the story reaches its emotional climax in the heart of No Man’s Land.

In the exclusive SoundWorks Collection video we talk with Sound Designer and Re-recording Mixer Gary Rydstrom and Composer John Williams.

Sound Credits:

Orin Beaton - Boom Operator

Lisa Chino - Assistant Dialogue Editor

Brian Chumney - Assistant Adr Editor

Kyrsten Mate Comoglio - Sound Effects Editor

Colette Dahanne - Foley Editor

Giancarlo Dellapina - Second Unit Sound Mixer

Luke Dunn Gielmuda - Foley Supervisor

Teresa Eckton - Sound Effects Editor

Sean England - Foley Recordist

Thomas Fennell - Sound Trainee

Tim Gomillion - Sound Recordist

Nia Hansen - Sound Effects Recordist

Richard Hymns - Supervising Sound Editor

Tom Johnson - Sound Re-recording Mixer

Christian Joyce - Prod- Sound Mixer: Splinter Unit

Noah Katz - Digital Audio Engineer

Mitch Low - Sound Maintenance

Alan MacFeely - Pro Tools Playback Operator

Zach Martin - Assist- Re-recording Mixer

Jeremy Molod - Assist- Supervising Sound Editor

Cheryl Nardi - Dialogue Editor

Andy Nelson - Sound Re-recording Mixer

Timothy Nielsen - Sound Effects Editor

Jonathan Null - Adr Supervisor

Richard Quinn - Dialogue Editor

Gary Rydstrom - Sound Designer

Gary Rydstrom - Sound Re-recording Mixer

Matthew E- Taylor - Sound Effects Recordist

Stuart Wilson - Production Sound Mixer

Doug Winningham - Sound Effects Recordist

SoundWorks Collection

The Sound and Music of Mission: Impossible - Ghost Protocol

In this exclusive SoundWorks Collection video we talk with Director Brad Bird, Composer Michael Giacchino, Supervising ADR Editor Gwen Whittle Yates and Supervising Sound Editor Richard Hymns.

Tom Cruise returns in the starring role as Ethan Hunt and is joined by an international cast that includes Jeremy Renner, Simon Pegg, Paula Patton, Michael Nyqvist, Vladimir Mashkov, Josh Holloway, Anil Kapoor and Léa Seydoux.

Blamed for the terrorist bombing of the Kremlin, IMF operative Ethan Hunt is disavowed along with the rest of the agency when the President initiates “Ghost Protocol.” Left without any resources or backup, Ethan must find a way to clear his agency’s name and prevent another attack. To complicate matters further, Ethan is forced to embark on this mission with a team of fellow IMF fugitives whose personal motives he does not fully know.

Shalini Agarwal - Sound Mixer: India

Ron Bedrosian - Adr Mixer

Donald D- Brown - Boom Operator

Tom Caton - Boom Operator: Los Angeles

Dustin Cawood - Sound Effects Editor

Sean England - Foley Artist

Sean England - Foley Recordist

Danny Ferraro - Adr Sound

Will Files - Sound Effects Editor

Ken Fischer - Sound Effects Editor

Jamie Gambell - Additional Sound Utility

Pascal Garneau - Foley Editor

Nia Hansen - Assistant Sound Effects Editor

Richard Hymns - Supervising Sound Editor

Noah Katz - Digital Audio Engineer

Daniel Laurie - Adr Editor

Michael McGee - Production Sound Mixer

Cheryl Nardi - Dialogue Editor

Andy Nelson - Sound Re-recording Mixer

Roman Rigo - Utility Sound

Brad Semenoff - Adr Editor

Graham Timmer - Sound Mixer: Splinter Unit

Corey Tyler - Foley Recordist

Juniper Watters - Sound Assistant

David Wyman - Sound Mixer: Addit- Photography

Gwendolyn Yates Whittle - Supervising Adr Editor

Angie Yesson - Sound Effects Recordist

Vikram Biswas - Sound Technician

http://soundworkscol...m/ghostprotocol