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Posts posted by VASI
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Online Audio Converter
http://media.io
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I can't view the player.
(run with mozilla firefox 9.0.1 , I hate this version)
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This pictures shot today but the snow it's little in Thessaloniki.
In the other locations in north Greece the problem is big.
Go video in 38:38 minute.
http://www.megatv.com/megagegonota/summary.asp?catid=17650&video=0
Sorry about the language. I didn't find news to other language.
I don't use the boom, because from tv station want to view the logo in mic.
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ENG - Live for News
Location: Greece, Thessaloniki city
Time: 08:30pm
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Where to find old school photos from production sound?
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" Black fur would be just as good as the grey, right? "
it depends on how dark you want your recording to sound
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Mini-jack input for the professionals..
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Happy New Year
This is sound from fireworks: http://soundcloud.com/vasileiosalexandris/happynewyear_soundfromfireworks
Record Device: ZOOM H4n
Record Technique: XY (120 degrees)
Record Time/Date: 31-12-2011, 01-01-2012 / 00:00
Sample Rate/Bit Rate: 48000Hz / 24bit
Audio Edit: Fade In, Fade Out
Without EQ & DSP
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Happy New Year for all and thank's the jwsoundground members for the usefull informations about the production sound.
These days will post the sound from fireworks celebration in Thessaloniki.
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Talk about this forum for cinema.
But the soundtrack from production sound is The Cinematic Orchestra
http://www.youtube.com/watch?v=0KoEAyMPbMA
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Created the 1 and 2 in the same font because the style is very close to original logo.
The number 4 is a signature from Dali.
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I have time to create some logotypes for this forum. Without money because information of this forum, help me very much.
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Finish my college and bought Schoeps CMIT 5 U and Lectrosonics with Sanken Lav.
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also know from "Billy Elliot".
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"Sometimes I am two people. Johnny is the nice one. Cash causes all the trouble. They fight."
Johnny Cash
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Vasileios
Quite impressed with the H4N track you recorded, seems to be quiet enough and with pretty decent imaging, is handling noise a problem at all when getting these recordings?
This file recorded at 96kHz / 24bit
My first record from this recorder.
In your question the answer is no for this project. Because I want the original sound from this mics (the ZOOM mics) with out EQs and DSP. For other projects the answer is yes.
Download the file (it's free).
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Couple MK-012's
Very interesting. Have you a test file for this mics?
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or Audio Technica: http://www.eu.audio-technica.com/en/products/product.asp?catID=2&subID=17&prodID=1122
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+1 for ZOOM H4n. You having a good quality and low price.
Check this test:
http://soundcloud.com/vasileiosalexandris/soundwalks-thessaloniki-mitropoleos
Walking in the street and recorded. The only editing for this test is fade in, fade out and give +6 dB trim.
Without EQ or DSP.
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Congrats and good luck Pillai.!
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SoundWorks Collection
The Sound and Music of War Horse
From director Steven Spielberg comes “War Horse,” an epic adventure for audiences of all ages. Set against a sweeping canvas of rural England and Europe during the First World War, “War Horse” begins with the remarkable friendship between a horse named Joey and a young man called Albert, who tames and trains him.
When they are forcefully parted, the film follows the extraordinary journey of the horse as he moves through the war, changing and inspiring the lives of all those he meets—British cavalry, German soldiers, and a French farmer and his granddaughter—before the story reaches its emotional climax in the heart of No Man’s Land.
In the exclusive SoundWorks Collection video we talk with Sound Designer and Re-recording Mixer Gary Rydstrom and Composer John Williams.
Sound Credits:
Orin Beaton - Boom Operator
Lisa Chino - Assistant Dialogue Editor
Brian Chumney - Assistant Adr Editor
Kyrsten Mate Comoglio - Sound Effects Editor
Colette Dahanne - Foley Editor
Giancarlo Dellapina - Second Unit Sound Mixer
Luke Dunn Gielmuda - Foley Supervisor
Teresa Eckton - Sound Effects Editor
Sean England - Foley Recordist
Thomas Fennell - Sound Trainee
Tim Gomillion - Sound Recordist
Nia Hansen - Sound Effects Recordist
Richard Hymns - Supervising Sound Editor
Tom Johnson - Sound Re-recording Mixer
Christian Joyce - Prod- Sound Mixer: Splinter Unit
Noah Katz - Digital Audio Engineer
Mitch Low - Sound Maintenance
Alan MacFeely - Pro Tools Playback Operator
Zach Martin - Assist- Re-recording Mixer
Jeremy Molod - Assist- Supervising Sound Editor
Cheryl Nardi - Dialogue Editor
Andy Nelson - Sound Re-recording Mixer
Timothy Nielsen - Sound Effects Editor
Jonathan Null - Adr Supervisor
Richard Quinn - Dialogue Editor
Gary Rydstrom - Sound Designer
Gary Rydstrom - Sound Re-recording Mixer
Matthew E- Taylor - Sound Effects Recordist
Stuart Wilson - Production Sound Mixer
Doug Winningham - Sound Effects Recordist
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SoundWorks Collection
The Sound and Music of Mission: Impossible - Ghost Protocol
In this exclusive SoundWorks Collection video we talk with Director Brad Bird, Composer Michael Giacchino, Supervising ADR Editor Gwen Whittle Yates and Supervising Sound Editor Richard Hymns.
Tom Cruise returns in the starring role as Ethan Hunt and is joined by an international cast that includes Jeremy Renner, Simon Pegg, Paula Patton, Michael Nyqvist, Vladimir Mashkov, Josh Holloway, Anil Kapoor and Léa Seydoux.
Blamed for the terrorist bombing of the Kremlin, IMF operative Ethan Hunt is disavowed along with the rest of the agency when the President initiates “Ghost Protocol.” Left without any resources or backup, Ethan must find a way to clear his agency’s name and prevent another attack. To complicate matters further, Ethan is forced to embark on this mission with a team of fellow IMF fugitives whose personal motives he does not fully know.
Shalini Agarwal - Sound Mixer: India
Ron Bedrosian - Adr Mixer
Donald D- Brown - Boom Operator
Tom Caton - Boom Operator: Los Angeles
Dustin Cawood - Sound Effects Editor
Sean England - Foley Artist
Sean England - Foley Recordist
Danny Ferraro - Adr Sound
Will Files - Sound Effects Editor
Ken Fischer - Sound Effects Editor
Jamie Gambell - Additional Sound Utility
Pascal Garneau - Foley Editor
Nia Hansen - Assistant Sound Effects Editor
Richard Hymns - Supervising Sound Editor
Noah Katz - Digital Audio Engineer
Daniel Laurie - Adr Editor
Michael McGee - Production Sound Mixer
Cheryl Nardi - Dialogue Editor
Andy Nelson - Sound Re-recording Mixer
Roman Rigo - Utility Sound
Brad Semenoff - Adr Editor
Graham Timmer - Sound Mixer: Splinter Unit
Corey Tyler - Foley Recordist
Juniper Watters - Sound Assistant
David Wyman - Sound Mixer: Addit- Photography
Gwendolyn Yates Whittle - Supervising Adr Editor
Angie Yesson - Sound Effects Recordist
Vikram Biswas - Sound Technician
On My Radio
in The Daily Journal
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