soundrolling

Didn't have as much time or crew as IPS of course but wanted to run around and get to meet loads of people face to face which was awesome. So enjoy:

IBC 2018 Audio: https://www.youtube.com/playlist?list=PLRQfdeu9nXWIEkHNJpSipj_OiybKDEd8y

Did film school and looking to see how far I can swim haha

Hey all,

Haven't been posting all the content i've been putting out because then it would be complete overload haha but one of my newest things is doing live hangouts with anyone that wants to watch and ask questions and basically I will just say my opinion or share what I would do or do do (depending on the questions of course) in the hopes of getting more content that is has a lot of context around it.

Ill just share the last one I just did and then if you like to see more just follow me on youtube:

Link to all questions: http://soundrolling.com/live-qa

Questions:

0:17 - How I prepare for a shoot
1:22 - How I read through the script
4:43 - How to better inform producers about costs
8:40 - Not uncommon for cameras to be worth less than sound gear
10:40 - Mixer recorder separately or all as one unit
14:01 - What's my favourite method for cleaning cables
20:25 - cleaning cables and boom poles

Zoom F4 - £600
Rode NTG 4 - 229
Rode Boom Pro - £166
Rycote Supershield - £215
XLR Cable - £15
Headphones Sennheiser HD25 - £145
2x sennheiser G3 - £315 (£630)
2x Sanken Cos-11 - £300 (£600)
2x RM-11s - £20
Sachtler SN607 Bag - £120
Sachtler harness - £99

Can i add this information to my free reference sound app with frequencies from around the world? whats your name so i can credit you?

currently working to release on Ipad  currently only on iphone, android and windows phones.

Hey All,

Olle Sjostrom very kindly let me use this data sheet on the free soundrolling app, if you have any further entries feel free to also get in touch with me whether they are local or whole countries frequencies. Then you can search on a google map for them.

Search "Soundrolling" in the android / apple ios stores today.

Sorted all that out for ya 

You will get a notification when its up, Thanks again

Thanks for the Feedback Derek, I will get on that now and should be ready by the end of the week. 

Thanks again for your support.

Matt

haha i didn't have a wide lens so just did it blatently in shot

Compare over 125 boom poles for min length, max length, weight, material, locking system and if it can be internally cabled on this free android app: https://play.google.com/store/apps/details?id=com.app.p2102JA

you can also get it on IOS: https://itunes.apple.com/gb/app/soundrolling.com-app/id1141818074?mt=8

If you got this from an editor it might slip them into stereo tracks panned left and one panned right so from:

Mix
Boom
Lav 1
Lav 2

you end up with:

Mix L
Mix R
Boom L
Boom R
Lav1 L
Lav1 R

and so on...

Thanks for your feedback Marc   Will do a moving one for the next video.

Actually getting drunk is not needed to perform this task but wanted to show that even someone after a couple of drinks couldn't mess it up.

I've compared the:

SuperCMIT 2 u Preset 1
SuperCMIT 2 u Preset 2
CMIT5u
Rode Videomic Pro (Camera audio)

And the best thing is that you can comment below each individual cameras and i'll see them and we can all update each cameras as new information is found and really have a current resource we can all use

Hey All,

I know lots of you use the handy resource on soundrolling.com to check over different timecode options for different cameras and so I have updated it and moved it into an area which hopefully makes more sense and gives you video tutorials on most of the popular cameras along with additional notes of others, check it out and make a little account,

https://soundrolling.mykajabi.com/store/czmsZcyP

Cheers,

Matt

Hey All,

I am currently in touch with over 450 professionals from around the production and post production community from all over the world to get more sound chats going, but due to the number of articles and videos I don't want to spam JWsound or the facebook groups so have set up a way for those that like them to ask questions relating to upcoming written articles and reminders for live events.

Join To Watch Sound Chats Now

and a facebook page for easier comments and questions on specific articles.

https://www.facebook.com/soundchats

Thanks for all your support.

Episodes so far:

EP1 - Rob Nokes (Sound Effects)
EP2 - Mark Weingarten (Production Sound Mixer)
EP3 - Rachael Tate (Dialogue Editor)
EP4 - Steve Maslow (Re-Recording Mixer)
EP5 - Gwendolyn Widdle (Supervising Sound Editor)
EP6 - Robert Sharman (Production Sound Mixer)
EP7 - Igor Nikolic (1st Assistant Sound Editor)
EP8 - Bill Devine (ADR Mixer)
EP9 - Wayne Pashley (Sound Design / Sup Sound Editor)
EP10 - Simon Hayes (Production Sound Mixer)
EP11 - Allen Lee Williams III (Boom Operator)
EP12 - Eric Milano (Re-Recording Mixer)
EP13 - Andy Kennedy (Sound Design)
EP14 - Ric Viers (Sound Effects)
EP15 - Robert Kizer (ADR Supervisor)
EP16 - Richard Ngugi (Production Sound Mixer)
EP17 - Syahrizal Fahlevi (Production Sound Mixer)
EP18 - Hovak Alaverdyan (Production + Post Sound)
EP19 - Harikumar Pillai (Sound Design / Sup Sound Editor)
EP20 - Paddy Hanlon (Production Sound Mixer)
EP21 - Lincoln Morrison (Production Sound Mixer)
EP22 - Mathew Price (Production Sound Mixer)
EP23 - Jeff Wexler (Production Sound Mixer)
EP24 - Whit Norris (Production Sound Mixer) + Doug Cameron (Boom Operator)
EP25 - Louise Brown (Foley Artist/Editor)
EP26 - Daniel S McCoy (Production Sound Mixer)
EP27 - Rachael Tate (Dialogue + ADR Supervisor)
EP28 - Ben Osmo (Production Sound Mixer)
EP29 - Moore Huffman (Sound Utility)
EP30 - Thomas Curley (Production Sound Mixer)
EP31 - Greg Albert (Production Sound Mixer)
EP32 - Adam Daniel (Re-Recording Mixer)
EP33 - Tom Fleischman (Re-Recording Mixer)
EP34 - Mauricio Castaneda (Foley Artist / Editor)
EP35 - Alejandro Jaramillo (Sound Design / Supervising Sound Editor)

This is my usual setup for it:

live now https://www.youtube.com/watch?v=LPWfv4_s7nM

Hey Friends,

This Sunday the 11th (October) at 12pm EST, I'll be chatting to Whit Norris live about the sound craft and taking your questions live to ask him. Whit is always happy to hold mixing events and interviews so it should be a good one. 

you can get several email reminders using this form. Ill also pass you on some useful sound resources too.

There will be a replay available at http://soundrolling.com/sound-club/sound-chat-series/ where you can access all the other 23 chats free, just by entering an email address so i can email you about future sound chats. But for those that do come you get to ask your questions to Whit Live.

See you all soon,

Matt 

make sure they are charged

sounds like the unit is low on battery, red mode is right for jamming, 

check this for a walk through i did in setting mine up: https://www.youtube.com/watch?v=xfK0vufWWPQ

Thanks for all the input, here is a better test.

I chat to Simon Hayes about Greensleeve, an answer to multiple booms on sets with a green sleeve that allows the boom to be closer without the worry of foreground actors and physical props.