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About syncsound

  • Birthday January 1

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  • Location
    PDX, OR, US
  • About
    sound for picture in pdx
  • Interested in Sound for Picture

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  1. Still early days, but I imagine that once this tech improves, it might serve as a replacement for some ADR. I would have to assume that SAG would include language to limit its use, but for indies and for general walla, those might someday serve as a kind of "stock footage", or even a plugin: https://www.aflorithmic.ai/post/creating-einsteins-voice
  2. I mix to mono (with pre-fader iso's) until directed otherwise. My philosophy is to give them what they ask for, so long as it isn't unduly burdensome.
  3. I've used 75 ohm short BNCs for timecode for years with no issues.
  4. As the topic says, curious about real world experiences. Thanks.
  5. I had the opportunity to work with him on an indie years ago called The Kill Hole. I remember him as polite, professional, and intense:
  6. If I may ask, how did you calculate the rate for that?
  7. Do you get vehicle rental for this?
  8. Yes. My next step will be to add a mast to raise the antennas when I can. I use fleximounts currently because I do a lot of low budget Indies that have challenging locations. Mobility and flexibility are key. The SRCs have been great. Be sure to take the time to SmartTune your channels with every new location.
  9. The Six Pack offers an RF loop out for adding more receivers to the RF distro. I'm currently running two Six Packs for (12) channels:
  10. That's my MO as well. Worked great for years.
  11. https://futurism.com/the-byte/nasa-mars-lander-hit-itself-shovel
  12. I recently shot with the 6K versions, feeding from Denecke JB-1 boxes into the minijack, no issues.
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