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Ty Ford

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About Ty Ford

  • Birthday January 1

Contact Methods

  • Website URL
    http://www.tyford.com/Ty_Ford_Location_Audio.html
  • Skype
    tyford

Profile Information

  • Location
    Baltimore, MD
  • Interests
    small hand guns, acoustic guitars, roller skating, videography and, um AUDIO.
  • About
    My mother bought me my first tape recorder when I was nine. I spent 17 in major market radio, handling the writing, voicing and production of hundreds if not thousands of commercials and promo announcements. I also began producing local bands.<br />
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    In 1986, I left broadcasting to pursue writing, audio production and talent work. I also began writing articles for magazines and web sites. I am currently a forum leader for the Creative Cow Audio Forum.<br />
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    As a guitar player, music production has always been a part of my life. In 2000, I began to attract the attention of local singer/songwriters. Helping them create their music has been a very rewarding part of my life. I mix live sound and work as a location audio recorder and mixer for film and video shoots. More information about my location audio work can be found here. <br />
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    I began shooting and editing video in 2005. I’ve written two books; “Advanced Audio Production Techniques” and “Ty Ford’s Audio Bootcamp Field Guide.” Info on my field guide can be found here. Another book is in the works.<br />
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    I re-wrote the NAB’s handbook on radio commercial copywriting and have twice updated the microphone chapter in the weighty NAB Engineering Handbook.<br />
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    Google “Ty Ford”...Audio...Talent and you’ll find more than you want to know. Also try www.tyford.com.<br />
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    Following a brain stem stroke in 2007, which passed though with no damage, I took a course in Chakra Balancing. In early 2009, I became a certified Chakra Balancer and Subtle Energy Therapist. More about that here. I also have a Facebook page for this practice. <br />
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    I am never bored. :)
  • Interested in Sound for Picture
    Yes

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  1. Ty Ford

    Rode mics

    It's not Rhode, it's Rode.
  2. Wow! This looks pretty impressive. Anyone got their hands on one yet? RØDE ANNOUNCES THE WIRELESS PRO THE MOST POWERFUL WIRELESS MICROPHONE EVER SYDNEY, AUSTRALIA: Tuesday, August 22, 2023 RØDE has today announced a groundbreaking new wireless microphone system for filmmakers and content creators, the Wireless PRO. Fresh off the back of releasing the Wireless ME, the perfect grab-and-go mic for creators, RØDE has now unleashed the most powerful compact wireless system ever with the Wireless PRO. Boasting an unprecedented feature set not found in any microphone – let alone a compact wireless system – the Wireless PRO delivers next-level audio quality and unmatched versatility for today’s demanding creators and filmmakers. Taking the legacy of the legendary Wireless GO series to new heights, this is the ultimate wireless microphone. The Wireless PRO takes the legacy of the legendary Wireless GO series to new heights. KEY FEATURES OF THE WIRELESS PRO: Compact dual-channel wireless microphone system RØDE’s state-of-the-art Series IV 2.4 GHz digital transmission with 128-bit encryption for crystal-clear, incredibly stable audio up to 260m (850 ft) line of sight Universal compatibility with cameras, smartphones and computers 32-bit float on-board recording with 32GB internal memory for clip-free audio in any recording application Advanced timecode capability for quick-and-easy audio sync in post-production Intelligent GainAssist technology, flexible output gain control and safety channel for ensuring pristine audio when recording direct to camera Locking 3.5mm lavalier connectors for complete security Headphone output with on-board level control TRRS input on receiver for headset or other “narrator” microphone to record up to three audio channels simultaneously Plug-in power detect for extended battery life Complete accessory kit, including smart charge case, two Lavalier II microphones, cables, MagClip GO magnetic mounting clip and accessory case Easy configuration on a computer or smartphone via RØDE Central Designed and made in RØDE’s precision facilities in Sydney, Australia “In 2019, the Wireless GO was the first truly wireless microphone to enter the market,” says RØDE CEO Damien Wilson. “RØDE was the first company to create a compact and easy to use workflow that forever changed the way creators capture audio for their content. The Wireless GO II took this even further, adding incredible new features and setting a new standard for compact wireless audio. Today, we take this iconic microphone a step further once again with the Wireless PRO. We’ve left no stone unturned when it comes to features in this new system, packing incredibly powerful and useful features like 32-bit float on-board recording and advanced timecode capability into the same compact, easy-to-use form factor that thousands of creators around the world use every day.” ULTRA-COMPACT PROFESSIONAL WIRELESS Despite its powerful capabilities, the Wireless PRO features the same pocket-sized form factor as the rest of RØDE’s compact wireless range, with a sleek new black-on-black aesthetic for extra discretion. It comes in a dual-channel set with two transmitters and a receiver and utilises RØDE’s state-of-the-art Series IV 2.4GHz digital transmission and proprietary near-zero latency codec with 128-bit encryption to deliver crystal-clear, incredibly stable audio at distances up to 260m (850 ft) line of sight. Integrated clips and broadcast-quality in-built omnidirectional microphones on the transmitters make getting set up a breeze, and it is universally compatible with cameras, smartphones and tablets, computers, and other audio devices via its analog 3.5mm TRS and digital USB-C outputs. PERFECT AUDIO IN ANY SCENARIO The Wireless PRO offers an array of powerful features for ensuring creators can capture flawless audio every single time. 32-bit float on-board recording capabilities allow users to record directly to the transmitters with no chance of the audio clipping. This groundbreaking feature ensures users will always have a clean backup of their session – even in extremely dynamic scenarios – and eliminates the need to set gain levels prior to recording, making the creative workflow more streamlined than ever before. 32GB of internal memory offers over 40 hours of on-board recording, with dedicated buttons on the transmitters that make triggering recordings super easy. For users that want to record audio directly into their camera, the Wireless PRO provides a plethora of features for capturing pristine audio. This includes RØDE’s innovative GainAssist technology – first introduced with the Wireless ME – which utilises intelligent algorithms to automatically control audio levels on the fly, ensuring the output is smooth and balanced and minimising the risk of clipping. It also features a flexible output control with a huge 30dB gain range available, allowing users to precisely tailor the mic’s output to their camera, as well as pre-configured camera presets for quick-and-easy setup. For added peace of mind, the Wireless PRO also offers a safety channel feature, which outputs a second channel of audio 10dB lower than the primary channel in case the signal is too hot and clips the camera input. These features combined make recording pristine audio incredibly easy. No matter their preferred workflow, users can set their Wireless PRO up to deliver perfect audio in almost any environment or scenario, taking the guesswork out of recording and unlocking more creative freedom. RECORD AND SYNC To perfectly complement its 32-bit float on-board recording feature, the Wireless PRO offers advanced timecode sync capabilities, making synchronising audio to video in post-production extremely easy. Eschewing the need for complex and expensive external timecode systems, the Wireless PRO features an internal timecode generator that is easy to use and seamlessly synchronises audio with any camera. This can be easily set up on a computer or smartphone via RØDE Central, with flexible configuration options to suit any recording setup. MORE FEATURES, MORE FLEXIBILITY In addition to its powerful on-board recording and advanced timecode capabilities, the Wireless PRO offers an abundance of other professional features that make it uniquely flexible. Both transmitters feature locking lavalier connectors for complete security when using an external lavalier or other microphone with a locking connector. Plug-in power detect on the receiver – which automatically powers the unit on and off in sync with a connected camera – extends battery life in the field. The 3.5mm output on the receiver also functions as a headphone output for audio monitoring (complete with flexible output level control) as well as an audio input for a headset or other TRRS microphone, such as a lavalier like the RØDE smartLav+. Merged and split recording modes, marker dropping and customisable buttons are just a few other features that make the Wireless PRO the most powerful wireless microphone system available. The Wireless PRO can also be easily configured on a computer or on the go with a smartphone using the RØDE Central companion app, allowing users to set it up exactly as they need anywhere. COMPLETE PRO ACCESSORY KIT The Wireless PRO comes with a complete pro accessory kit, giving users everything they need to get recording right away. This includes a smart charge case, which not only protects the transmitters and receiver when in transit, but also ensures they are always fully charged and facilitates ultra-fast data transfer for quickly exporting on-board recordings to a computer in the studio or in the field. Two Lavalier II microphones deliver broadcast-grade audio capture and the MagClip GO magnetic clips allow for flexible mounting of the transmitters on talent or the receiver on a recording device. It also comes with three high-quality furry windshields for recording in windy conditions, all necessary cables for connecting to cameras, phones and other devices, and a handy case for keeping these accessories safe. The Wireless PRO is designed and made in RØDE’s precision manufacturing facilities in Sydney, Australia, and is built using the highest quality components. The Wireless PRO sets a lofty new standard for compact wireless audio. No other microphone offers such a wide range of powerful features or guarantees perfect audio in any recording application like the Wireless PRO does, affirming RØDE as the leader in innovative audio solutions for today’s creators. The Wireless PRO is currently shipping to retailers worldwide and will be available in late August for US $399.
  3. Is there a set screw for the XLR connector? If so, can you tighten it?
  4. Hi, I have friends with old ADATs that need fixin'. The ADATs, not the friends. Got any reliable sources? I saw these guys in LA, but am clueless. Phone: 818-754-0467 Email: info@audiodesign-service.com Address: 2625 N. Ontario st. Burbank, CA 91504. Hours: Mon-Fri 9AM-5PM PT Thanks in advance! Ty Ford
  5. How did they dodge the Zaxcom patent?
  6. I was up on Sounderday this morning and one of the many cans we were kicking was movies with soft dialog and how difficult it was to capture. Tonight I watched the 2019 film "Poison Rose" with John Travolta and Morgan Freeman. Will Loftin was the mixer. Scott Johnson was the boom op. Are they around to ask question of concerning the soft dialog? https://www.imdb.com/title/tt5862166/
  7. I like mine! It's not pointed directly at the soundhole. Just sort of looks like it. I also had a Schoeps CMC641 on an overhead boom out of the shot.
  8. I don't buy the thought of low speaking talent, per se. That's what faders are for. However the frequency response difference between someone talking very low and that same person projecting can be markedly different. This conversation happens in circles with live bands and also mixing music for whatever these days has replaced CDs and vinyl. I rarely go out for music anymore, but when I did, it wasn't unusual for the vocals to be buried. Part of that is style (which I don't care for) and part of it is that if/when the band turns up, at some point you can't push the vocal any higher without causing feedback in the PA. In the case of mixing for release, I think the problem is usually a vocalist who is shy about his/her vocal ability (and they may be correct.) The other problem us that everyone in the band KNOWS THE WORDS. As a mixer, I don't, so if a vocal phrase gets lost, I want to do something to make it audible.
  9. I don't know exactly how this may help us, but here's the link. https://www.bhphotovideo.com/explora/pro-audio/news/audio-test-kitchen-provides-audio-comparisons-of-microphones/BI/8631/KBID/9745/SID/DFF?fbclid=IwAR1NgS4pW18QDhSs56pO0Uw6ICi0m22fd1X4q9vtEyh3jBQh34SQeKxBfcU
  10. If you have any horrible audio, I'll try to make it less horrible. Send me a link or a short .wav file. https://www.cedar-audio.com/downloads/cedartrinityenhancemanualv1.10_15dec20.pdf Regards, Ty Ford
  11. maybe this will help. https://tyfordaudiovideo.blogspot.com/2018/07/klover-parabolic-collector-microphone.html
  12. Having my audio on any cloud makes me nervously uncomfortable. Regards, Ty Ford
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