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Tony Koretz

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Everything posted by Tony Koretz

  1. SEVEN NEW SOUND EFFECTS PACKS Rocksuresoundz.com has gone through some upgrades in the last few days. This includes adding seven new sound effects packs ( as listed below) along with 24 new royalty-free music tracks. Other improvements include adding meta data to the sfx wav files, and making the website more mobile compatible. There are now 35 sound effects packs and several hundred royalty-free music tracks available on the website. http://rocksuresoundz.com New Sound Effects Packs - November-December 2015 Packs are $6.95 each Pack 22 - Locks, Latches and Safes Pack 23 A -Metallic Clunks, Thuds, Clangs and Scrapes Pack 23 B - Workshop Tools and Machinery Pack 23C - Construction Site, Earthworks and Building Pack 12B - Footsteps Part 2 Pack 09D - Sci-Fi - Strange Effects, Pulses, Space Crafts & Motors Pack 20B - Beepers, Clickers, Counters & Computers
  2. Rocksuresoundz.com announces four new Sound effects packs available at $6-95 each, . This brings the total number of sound effects packs on the site up to 28. The new packs are as follows: #17) Dragons Dinosaurs Monsters Creatures #18) Scary Frights Creaks Groans Ghostly Moans #19) Bangs, Explosions & Fireworks #20) Electrical Sounds: Radio Static, Switches, Shocks, Electricity The packs are zips of 24 bit/44.1kHz wav files. Plus we also have one new music loop pack at $8-95. Spooky Loops is collection of 26 music loops. Most of the loops are 1:08 minutes long, and atonal in nature. They are designed to be interchangeable, seamlessly loopable, and can even be layered on top of each other if you wish. These loops would work very well in horror movies, thrillers or mystery documentaries as background music. Products are available exclusively from http:rocksuresoundz.com
  3. I'd like to add our site to the list of sound effects libraries represented here. There are a good number of sound effects packs at $6-95 each on the site. Each pack contains between 80-200 sfx, and a preview button lets you sample a minute-and -a-half selection of sounds from each pack. The number of packs on the site will be regularly added to. http://rocksuresoundz.com
  4. Oh I always thought it was the button you press when you want someone to Please Flamin' Leave
  5. Ah yes I left that one out
  6. Everyone here seems pretty knowledgible so this may not be much help, but if anyone here is unsure of how to calbrate from the listening position, some time back I wrote a basic tutorial on how to do it which can be found here: http://rocksuresoundz.com/2011/10/11/calibration-of-audio-playback-levels/
  7. Yes you measure at the listening position not at the speaker. However, 85db in a smallish control room is pretty loud and not recommended.
  8. Cool...nice response. Great points on multi band comps. It's always interesting to read how other people go about things, and their techniques to get the results they are after. Limiters are for protection yes...but if you have an L2 on your master buss for instance, and you are using it to tame mixes for TV to keep them in line......? Your take on that ?
  9. Wow this thread has so much great discussion and ideas on it. Glad I found it! If you are in a smallish room and are primarily using nearfield monitoring, then 85dB is going to sound Very Loud. Even 82 can be fatiguing over a preiod of time. I have found that in my room working at 79 dB is the best level for me to work at. Besides what's here already, I am interested to know when using compressors and limiters on stems and stereo mixes in post, what sort of release times people are using on their compressors and limiters for the most natural sound with no pumping etc?
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