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About Mungo

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    ENG, EFP, Sound mixing post
  • Interested in Sound for Picture

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  1. Perhaps you're lucky and he will be wearing protective headgear ...
  2. Absolutely great, guys! I guess we all have loved a lot reading this thread. Two more: Space Diversity Scream Track
  3. The Lost Frequencies (already exists) Noize Floor feat. Room Tone
  4. The Midside Supercardioid Surgeon Bad Resonance
  5. If I had a rock band, I'd suggest following names: Third Order Proximity Defect Shark Fin Antenna Mike & The Electronics and now you ... ๐Ÿ™‚
  6. Mungo

    633 Returns issue?

    Similar issue happened to me, but with a 664. It was weird, because it often happened in the beginning of day, and during shooting the second channel and correct levels slowly went back to normal every time. Service solved it after second attempt, guess it was hardware related.
  7. Of course, just a joke. I was just remembering many years ago when I came with files from the 744T and an editor said: "What is that? I can handle WAV, but I don't know this BWF" haha
  8. They supplied German broadcast companys with 1/4 inch studio tape recorders from the 40's until the 90's. Absolute standard, it was hard to find anything else. Maybe some Studers. Not about Nagra, but general info: https://www.telefunken-elektroakustik.com/history
  9. A colleague of mine had a 633 fader that had a "life on its own". You could investigate this by looking into the channel's pfl view. The fader dB value was changing all the time. The mixer had to be sent in.
  10. Cinela Osix 2 Just perfect. No handling noise, lightweight and rugged. The angled XLR is great too, helps a lot when the ceiling's low.
  11. Great mike. Even just using the M capsule for mono dialogue sounds wonderful. But not enough shielded against RF, especially that digital RF and mobile phones that are all around us today. Had too much issues with RF so I don't use it any more. I was always in fear that something could bleed in unintentionally.
  12. Those Sonys don't do well with receivers in the same bag. I experienced similar issues with Sennheiser receivers. Workaround: Choose a Sony frequency as far away from the Lectros as possible. The Sonys have three "bands" consisting of three tv channels. Transmitter and receiver at least mustn't be in the same band.
  13. I once really needed the w/c on the 664 when I had to send 8 AES channels to some video deck from Blackmagic. The video guys gave me a 48k bnc signal out of their mysterical 19" video rack switcher unit. Without w/c audio-to-video just didn't work so I was very very happy about having this option.
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