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Posts posted by joinwooHK
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788 for sure, This is two different level machine....
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i got a new DL4 Lemo , seems it is balanced wiring , so i cant get audio with Zaxcom Trx .Would anyone advise what i can do to get the audio
Typical Wiring TableSeries Cable Construction Electrical Design Polarity Replacement Connector For Use With Wiring Line Art (From Solder Side) DL4-LEMO 1.6mm cable with single conductor and shield 3 wire with additional bias on pin 3 Positive with respect to ground WA416 Shure Lemo Bodypacks (AD1/ADX1-Lemo, Shure UR1M-Lemo, ULXD1-Lemo) Red wire: Audio/Bias(2)
Blue wire: Audio(3
Shield: Ground(1)
DL4-MTQG 1.6mm cable with 2 conductors, 2 shield wires and shield 3-Wire Positive with respect to ground WA430 All Shure TA4F Bodypacks Red wire: Bias(2)
Blue wire: Audio(3)
Shield wire: Ground(1)
Shield: Ground (Shell)
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parabolic mic ?
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https://www.etymotic.com/consumer/earphones/er4-new.html
Good enough for brief monitoring -
No question..It definitely worth
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But do anyone think it is in fact helpful in Broadcast or Live situation ? slightly cut of hiss or rumble will help bit
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i suggest u Record a beep to all and see is it there offset on recorded file. Timecode display on diff device has delay
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Sound devices ipad app?
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3 hours ago, Mike Westgate said:
Trey
I spent a week shooting in HK 10 years ago
I guess a lot of HDTV stations have eaten up the 500/800 areas by now
Best ask our HK member what frequencies he is using to avoid TV or from where you can rent
mike
as far as i can tell , anything above 700 mhz may be problem , i am using 500-650 mhz for 5 m 6 yrs here without any significant interference problem .But Hong Kong is a crowd RF area ( as i mentioned no one care the regulation on RF FREQ (many illegal operation of RF ), which u really need to have good gear esp RF filter for this
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u can probably using any freq if u want , there is law to reg this ,but no one enforce or care. We all do that in HK
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I would like to turn to digital workflow , but i cant find any shop or brand selling the aes cable for Zaxcom nomad , Any hints i can find that ?Thanks,
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just plug the mic hard wire to the recorder ,and then turn on other suspect one by one ,You then find which one causing interference or it is self noise of the boom transmitter
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Are u power them in separate power source ? Grounding sometimes problem off whining
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13 hours ago, The Immoral Mr Teas said:
Well he says it's not close (ie high SPL) so in this case I think a condenser would be as good if not better.
Though for high SPLs and transients good dynamics certainly have their place (I have an MD441 and would certainly like to pick up one or two RE20s).
Jez
yes u are right , guessing a Vocal condenser would help this, Telefuken has good bassy vocal mic or neumann
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u need dynamic mic , such as RE320
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The Zhd mode help in some shooting
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Looking for Sound man in Manila Philippines in Early May (still figure out what day it is )Half day shoot , Single head interview , feeding 3 camera
Boom and lav same time. We based in Hong Kong and will shoot in Manila soon.Please contact : Alicenggan@gmail.com
for further details .Thanks -
there is seldom rental here. But different brand got different store. What u looking for ? or We can meet and make friend . I based in HK , local born and raise
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So did anyone successful replace it or repaint by sennnheiser ? It seems will getting peel off bigger and bigger
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Are u sending in to local repair maintenance or Germany ?
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I am having same issue on my mic recently;y , anyone know where can repaint the coating? or use any method to stop the problem?
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On 11/10/2018 at 2:52 AM, Glen Deakin said:
No one has tried the CS-m1 with a 742 /743?
yes, all good ,no RF problem with ZMT phantom or 742
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5 hours ago, Kisaha said:
Oktava has so many limitations that make their use unpractical for our trade. I have Oktava mics among others in my set, and quite honestly, Audix and AT are the cheapest useful ones one can get. Everything else is really unpractical and creates more issues than it solves.
I have the Sanken CS-M1 in my shopping list, it could be a good middle solution - do - it - all - run - n - gun mic.
my using exp on the CS M1 is bit hizzy on high pitch , and not really great headroom compare to dpa 4017 or Cmit. But overall worth more then the price, But would not be my primary mic
if only indoor dial , rejection is not ur 1 st thing to look in , I really like my neumann km 185 sound .
Most robust lav mic
in Equipment
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Depend wt job u are doing, If size does not matter , Dpa heavy duty is a way to go