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TJW

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About TJW

  • Rank
    Hero Member
  • Birthday January 1

Profile Information

  • Location
    London
  • About
    Production Sound Mixer
  • Interested in Sound for Picture
    Yes

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  1. I was shown the PCS at Rycote HQ in Stroud some years ago, a long time before Timo joined the company. It has been a long project and gone through several development generations before this release version. I am a long time Ambient QL (20 year) user but this is a lighter quick release and the big difference is the longitudinal release rather than the twist. Now that Rycote are associated with Sachtler, Manfrotto and Wooden Camera, I expect to see this piece of Rycote engineering appearing under different brands, for very different uses.
  2. I thought that I would chime in: Not directly relevant as it concerns IEM rather than using as radio mics but much of the info is equally applicable. I had some spare MTP40S transmitters which I am using for IEM and they give the G3 receivers an added clarity. I also have some MPR30 IEM receivers for the crew and key grown ups. We use in mono mode, pilot off and they are a great combination and well worth the upgrade. The sensitivity of the Wisy receiver is such that a few weeks ago from a 50mW transmitter, we had 150m range from sound cart to an assistant in the van. The biggest negative comp
  3. Hi Nagnila, I have been using the Nanos since February when Klaus sent me some pre-production models to put through their paces. I now have 10 on 2 films. A full charge gives about 35 hours use. More importantly, charge them for perhaps an hour and you can get a working day out of them. If I read correctly, you are using them in a very specific basic way in that you and jamming one and you then hold the green button to jam the others? The Nanos are intended to be very low battery consumption so when you jam the other Nanos, it is only a short range operation. I and many of my colle
  4. The 6-Pack has been around for several years now and it is a useful piece of kit. I have two of them: One is permanently on the cart (until the Audio Ltd 1010 4 slot 19" rack displaces it) and one that floats between the bag and the cart when I need more than 8 channels. On board antenna power for my Betso Sharkies. For: it is inexpensive, 3 x receivers is a good number knowing you can add an extra one or an extra rack with its RF distro. Choice of TA3 connectors and Hirose 4 or 37 pin. I mix AES out on the Wisys and Audio Ltd 1010 with the analogue out of the Lectros with no problem. Against:
  5. TJW

    Cantar X3 Mini

    It is a custom made hinge and I have the only one at the moment. I have sent the hinge and the drawings to an engineer who can make a small batch. If it can be done at a reasonable price, I will make it available. I will have a one off to look at on Monday and I will keep you in the loop if it is viable. I have attached a few pics of the friction hinge mounted 6-pack with the Aaton bag. I have added a small accessory pouch and extended a strap around the whole thing so it is firmly in place using it over the shoulder.
  6. TJW

    Cantar X3 Mini

    It will always be more of a challenge to bag a Cantar that a regular box shaped recorder. It calls for imagination but you can do it. With the X3, I was always aware that the 'unibody' structure of the recorder was totally solid. At the design stage, I had them beef up the connection assembly on the front and fit 2 x 3/8" fixings. As the X3 has strap posts on the back that you can use to either fit a strap or attach to a harness, you can then attach accessories such as a radio mic rack to the front fixings so the bag itself is not holding the weight. The weight is on the strap and the accessor
  7. TJW

    Cantar X3 Mini

    I reckon Mini is quite a cool piece of kit. All the quality of the X3 but scaled back. I am quite a fan of much lighter TA3s - the 5 pin XLRs on my X3s are all converted and I use the Rean XLR3 to TA3 converters. Horses for courses. It is definitely 4 x transformer balanced mic/line plus 2 dedicated asymmetric line inputs. A total of 6 analogue.
  8. I echo Axel. It is a top recorder and a 24 track recorder with the outboard kit you would use with it, will not be the lightest. That said, although much of the time my X3 is cart based, I do use it in the bag and it works really well and for a few hours at a time it is really not a problem. I also use it in the bag on a folding lightweight cart on some fly away jobs and often add the small fader panel, the Cantarem. It just works.
  9. Hi Axel, Nice description of your comms set-up. I can't say too much but Cantaress does include much that was included in my initial sketch of what I called 'Cantaress' back in 2012 when I was working lightweight on my X2 with a Cantarem and wanted the panel to do more of what my Sonosax did on my full rig. Now that we have X3 which we can use it either stand alone or with the Cantarem 2 so the Cantaress will be a great addition to the cart and be at the heart of mixing. Tim
  10. TJW

    Buy a new wireless

    I added Wisycom to my kit a year ago as a temporary measure as the wide tuning Lectros that I wanted weren't yet available in the UK. Wisys have now become central to my system. I have bought more and use them alongside my Lectros and have no problem with mixing the different latencies and correcting them on the recorder. Wide band tuning and AES out (on the subD) at no extra cost. For me, they were more cost effective than other makes. I bought through Raycom, the UK importer. They have answered all my questions and sent a loan unit while one of my transmitters was checked. No manufacturer or
  11. I used a Sonosax ST for 9 years and it is a truly great analogue mixer. Using the 2-way system that was on the Sonosax, I set it up with Sennheiser G3 returns from my crew but it only lasted a few days before the crew got fed up of the extra complication of mics with PTT boxes and belt packs. For the years that I used the Sonosax, I used the comms section in the traditional simplex way. I could have bought the Sonosax cabled comms boxes but I cannot see my crew working with hard wired comms. For 20 months I have been post Sonosax ST, using the Cantar X3 initially with the Cantarem mixer
  12. It is great to see that Aaton have announced the Cantaress at NAB. This will be their new full size fader panel to use with the Cantar X3. The announcement comes just as the Cantarem 2 compact fader panel is about to hit the sound shops. Cantarem 2 has 12 faders, is no wider than the Cantar X3, using Aaton's magnetic fader system but perfected to a smoothness that rivals P&G by running super comfortable faders on polished steel rails. I used a pre-production Cantarem 2 at the BSC show in London a couple of months ago and it was impressive. I was at Aaton in Grenoble two weeks ago and the p
  13. There is no right or wrong that applies in all filming situations. In the scenario of working on studio movies that might be a year in post, the mix that the production mixer provides is used for viewing and temps for many months before the film is finally ADR'd and dubbed. In this case the subtle use of the DNS 2 could be advantageous provided of course that unprocessed tracks are also supplied to post. Post will always use the raw tracks but the processed tracks will have made cutting and viewing a better experience for many months even though they will not make it into the final mix. The Su
  14. Credit is to Stuart who built it but thank you all! Tim
  15. I apologise for this late update. I collected the new cart at the end of November and it is indeed a work of art. A few pics below to go on with until I write it up properly, but it is already a runaway success. The first question from other sound mixers is "will he build me one?" This cart is small and light to manoeuvre when retracted, perfectly stable to wheel across the studio when extended but either standing or sitting at a director's chair, my working posture is so much better than at any other cart I have used. I can sit upright with my feet on the battery box. My sight lines
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