deadtrick

I think the biggest thing is the integration with Audiokinetic Wwise for the game audio people. Pro Tools may have the film and TV post-production side on lockdown as most studios use it to transfer sessions back and forth, but the game audio side is still evolving, and deep integration within Wwise could become very favorable to game studios that primarily work together in a team environment under one roof. I'd be interested to see the preview when it comes out!

Tim Nielsen wrote an awesome article about MS Field Recording on Designing Sound a few years back. http://designingsound.org/2011/08/tim-nielsen-special-ms-recording/

Curious if anyone can compare this new version (ProQ2) to DMG Audio's EQuality for post - in terms of ease of use, automation, CPU resources used, features, sound quality, etc.

+1 on the faderport. If you have any leftover cash after PT10, look into getting a decent interface with very good converters (RME, apogee), a dedicated external HD for all your sessions, studio monitors, and room treatment!