Benherisson

https://datavideo.com/sg/product/TLM-102?gad=1&gclid=CjwKCAjwvrOpBhBdEiwAR58-3GBsAoVomH-33bXrnCB083olbA47BY1BBPnaKUiKPlWPgfGjCtqNbRoCON4QAvD_BwE
 

They are extremely expensive but the quality is really incredible and if you watch them Eight to ten hours a day it's really worth it

hi I am based in Montreal I use block 19-20-22-26 A-1-B-1 without problem.

there is a frequency calculation application manufactured here and works very well

http://eazyrf.com/default.html

here is a screenshot of the TV Chanel

for the equipment here we have Transmission Squelch who are specialized in wireless and there are Wisycom depositary

http://www.transmissionsquelch.ca/Transmission_Squelch/Accueil.html

Hi

   I was wondering if there was news on this subject I have a great deal on an MCR-42 and I already have a lot of TX Lectro and I would like to use them occasionally so my question is this the sound quality is good enough?

thank you

yes I could do that but I am often short on R1A and find the volume is easy to change by accident 

Since we are talking about compatibility I have a question: I use an IFBt4 and some R1A but I would like to send a feed on a camera as hop and I wonder what receivers I could use? I want the smallest possible like UCR100

i don't want to hijack the tread

thank's

Oups sorry for the font and the blue color!

I always use Sennheiser to make camera hop I take SK2000 because they goes at 100mw and I use G3 receiver on camera this allows me to keep my Lectrosonics as microphone

every time i used my Lectrosonics for camera hop this always caused me problem with my SR in the bag even if I was using different block

1 hour ago, Mobilemike said:

This is interesting but as a post mixer I have to say that I would definitely want to do this processing myself, not have it done for me on set. In fact to be honest, if a project came to me with both the processed and unprocessed signals in place I would almost certainly discard the processed signal un-listened-to, and if something came to me with only the processed signal I would be extremely upset. 

This has nothing to do with the skill of the production mixer, but simply that the monitoring environment that the majority of mixers work in (headphones on noisy sets) is not conducive to the sorts of subtle tweaks that are so critical to making NR processing sound natural. Making those sorts of decisions on headphones is nothing like making them on a nice pair of speakers in a quiet edit room, much less on a properly tuned dub stage. 

-Mike

 I already possesses a DNS1000 that I used for live tv show it's almost magic... I will not used a DNS2 in a bag situation I totally agree with MobileMike  but it's a good news if a want more separate Chanel in tv show if the price is not to high because it is difficult to get a good price for renting.

i am presently at work and I did the test (turn off the DC feed on the DA) making the antenna passive. I do not get a good result I should try directecly in the receveiver but I don't have the sma to Bnc adapter

I am using the Betso Sharkie antenna with the Broady as122 DA antenna in a hiden camera show and i still can not believe how I managed to make such distance as far as 300 feets with  out any concern about dropout I used it active way but sometime I give + or - DB depending my need

I am a daily visitor of this forum and rarely or never I give my opinion mostly because my English writing is not very good (thank's to Google translator) but I really like Betso products and I wanted to Share my experience I have six SBOX-1N and two Sharkie antennas I use it in any kind of situation mostly In hidden camera show and they work like a charm I also exchange a couple of mail with Jan from Betso excellent service and very fast response.

I recommended their product and I can not wait they come out with a new thing

Member since 2012 I come to this forum every day, my first post to thank you and wish you a happy birthday