BRYAN DAY

I often have the same issue. The solution is easy ; the editor has to enable metadata view in his editing program. By default tracks are numbered. Custom names are metadata . To “ see” metadata that view must be picked in the editing program. Sent from my iPhone using Tapatalk

It is very common to split the mix boom and radios Sent from my iPhone using Tapatalk

Lectrosonics SSM cos 11 and / DPA mini no problem same situation Sent from my iPhone using Tapatalk

Never Ever Because my kit has all the little things that makes a kit efficient the cords the straps the etc that the rental houses do not offer You know the etc The things you have wished you had at four in the morning on some set far far away ...... Sent from my iPhone using Tapatalk

Signing out I agree does not work. I use, successfully TrakR which is a small wifi blue tooth tracking device about the size of a large coin . Blue tooth narrows the search down to an area the size of a room, a beep function activated from my iPhone pinpoints the device. And when the unit leaves the original area there is a global crowd based search function: every owner of every unit can help anonymously search for a lost unit, world wide . Sent from my iPhone using Tapatalk And yes labeling the usual my used units cuts down on the childish factor of not returning their toys : director, script, pm, producer, camera, ads..... Sent from my iPhone using Tapatalk

I actually do both Mix pre in car with my sound cart in follow vehicle Sent from my iPhone using Tapatalk

For a cart setup imho use a venue two hands down Sent from my iPhone using Tapatalk

There is a Vancouver IA Local that you will be asked to join. However, that’s not your problem: to work in Canada you need to be a Canadian. Or landed. Or resident . Sent from my iPhone using Tapatalk

Lock it’s will not correct your slate error unless you propose to feed it to the slate The 744 should be stable, mine has been rock solid for eight years! If the slates a rental switch it out Sent from my iPhone using Tapatalk

As a general statement their are two terms phases often confused as one: Audio phasing which happens when the audio from two separate sources ( microphones) are combined as one and electrical phasing where two electrical signals ( representing the audio signal) are combined as one . There is also degrees of audio phasing all other values being equal occurring where more than one microphone is used in a mix variable to the distance from the source sound and the physical distance to each microphone. No two microphones are in the exact physical location, sometimes inches sometimes feet apart . The effect can be subtle or extreme and is always changing variable as the actors wearing radio mics move in relation to EACHOTHER and the boom mics Sent from my iPhone using Tapatalk

Convience over "better sounding" Better sounding will only sound better through your headphones on your deck. The audience will not ever hear the difference ! Sent from my iPhone using Tapatalk