Last week, I purchased a pair of Scheops MK 2 omnidirectional microphones.
Compared to MK 41 hypercardiods, I am struck - "blown away" is pretty much the right phrase, as unscientific as it is - by the depth, breadth and presence of the sound that I'm getting from them when placed close to the sound source.
In the dark ages, before Lavalier omnis, were there times when these mics were hidden to record talent, and if so, in what circumstances and how?
And a question for those of you who are using them today. What are you using them for, apart from voice over? No doubt ambient and sound effects are on the list. Anything else?