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Found 7 results

  1. For an upcoming job I've been asked to feed my mix to an iRig PRO (connected to an iPad) for reference. The iPad will be recording video and sound for reference and archival purposes. From what I've seen on the IK Multimedia website, it'll take a line-level signal. I'm planning on sending the feed via Comtek taped to the device (which will be housed in some sort of cradle.) Seems pretty straightforward, but I'll be grateful for any known pitfalls or insight you could share with me. TIA!
  2. Captain Chris Wade and the SeaWatch SharkBoat is about to leave US waters on a mission to save sharks in Costa Rica's beautiful Isla de Cocos with a crew of 10 and boat full of GoPros, Canon 5D's, DSLR's and Final Cut, ProLine, etc... Every moment of every day will be documented. On the Boat (handheld and fixed), In the water (drones and diving), in the air (drones). This is a self funded production in conjunction with The Shark Research Institute and SharkBoat.org. Does anyone have any suggestions as to individuals seeking a write-off to a 501c3 for 2014 in exchange for some used/unneeded gear (Booms, Wireless, Mixer, etc...) that could be donated for this amazing project. Or a sound person/ DIT looking to come to Costa Rica for 6 months on an unforgettable journey that is assured to capture content that no one has ever seen before. "The Pirates of the Pacific" are about to enter "Blood Waters" and could use your advice!
  3. ...or another "prosumer"... any hand (ear) on this? https://www.zoom-na.com/products/field-video-recording/field-recording/zoom-h5-handy-recorder
  4. TIG Timecode Generator Durability Test I love durability tests and think they are so much fun. So we decided to do a video showing the TIG (timecode generator) being driven over by a truck and dropped off the back. It survived very well (especially considering we drove over it about 20 times and dropped it over 30.) So here's a TIG and a truck: https://plus.google.com/112281036772159173979/posts Laurie 480-292-9060 lauriew@mozegear.com www.mozegear.com
  5. Please meet our new Tiny Mike Sets http://vimeo.com/84658414 Now including a Rycote InVision and our sophisticated QBS More information about the new sets can be found here in our newsletter, or here on our website...
  6. Hello everyone, I was hoping you could do me a big favour... For my final year project at university I made a series of promotional videos using both Digital SLR's and HDV camcorders. In my report I need some secondary research... That's where you guys come in. Basically all I need you to do is watch this video which shows the Canon 7D and the XHA1 in a series of test shots. Then pick which camera you felt performed best overall and why. You'd be helping me out a lot and if there's anything I can do to return a favour I will! Thanks! Tom.
  7. Hi there, I'm sort of new here (have been reading, no posting), so maybe a little introduction seems appropriate! I've been doing commercial and free video / motion design work for a while now, mainly shooting on a DSLR. I do this with a friend and we're based in The Netherlands. Sound hasn't exactly been stellar in our productions (filmmakers ahoy), so after loads of reading up, we decided to upgrade to the following setup: Main microphone (besides lavs): Sanken CS-3e Mixer: SD Mixpre-D Recording device: Either the Zoom H4n or directly into the Canon 7D or iPad We're planning on two setups, recording straight into the Canon 7D (no syncing in post, seems a bit easier to setup) and the option of recording using the Zoom H4n (more mobile). Below is a description of our setup so far. Please forgive me if I don't make sense or ask for the obvious, I'm trying to learn about audio, but I'm not exactly an expert. Setup 1. SD Mixpre-D to Canon 7D We have been doing some tests with the Mixpre running a cable from the unbalanced mic out straight into the Canon 7D (with the new manual audio firmware update). In the first test we put on the tone oscillator and on the 7D we matched the dB output to the display of the LED's on the Mixpre. We got a lot of noise in this setup. Is this coming from the 7D? In the next test, we put the audio levels in the 7D almost all the way down and we got little, to no noise. However, we're not sure how to monitor audio on the Mixpre with the recording levels being much lower. Do we just figure out the difference between the recording and monitoring or is there another solution? A different question: on the Mixpre, I can set the recording to L C R, since we're using a mono mic, is it wise to keep it on L? Setup 2. SD Mixpre-D to Zoom H4n I found this article by filmmaker Dan McComb explaining how he hooked up his Mixpre to a Zoom H4n, however, he seems to change his mind about the setup quite regularly. So I'm not sure if this is the way to go or not. Do any of you guys have experience with setting this up? Would the quality of recording to the Zoom be better than to the Canon 7D? Thanks for taking your time reading!
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