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Found 2 results

  1. I have a Sanken CS-3e and was wondering what the best lav mic would be to match the darker/warmer sound of my shotgun. I mostly do narrative work where I have to hide lavs under clothing,
  2. I find myself in situations where I have to interview people for documentaries within their environments. Which often have a lot of noises. Traffic, air conditioners, strong weather sounds - snow storms, rain, wind. Or are quite reflective. I have found that I have mostly gotten the best results using lavs, my guess is because the signal to noise ratio is good. However, I have only hired them, and I don't want to buy them because I really don't like the sound the produce at all. Plus the hassle of attaching them to people and the lack of speed associated with that. Another technique I am considering is to capture establishing shots with a boom mic, and then switching to something like a neumann tlm 102 to record the rest of the interview off camera. Do you have any techniques or equipment recommendations for me? In the documentary, lightweight, non scripted environment. I appreciate your thoughts.
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