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  1. Outside of sound point of view; how can "wide & tight" saves money from production? Faster shootings aka less days is the usual answer, but it's not increasing the cost of extra camera operator & focus puller? I mean on this scenario (wide & tight) and not two cameras shooting simultaneously two close ups which make more sense for me. It's not take more time to DoP and Gaffer to light the scene for wide & tight? Thanks
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