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Hi Guy's, I'm wondering what your experience is with the Schoeps Super CMIT in daily use, and what the feedback is from post production, or if you work in post.... your own opinion. What I experience is that the DSP sometimes is audible, of course even more in the tightest setting. It almost sounds like a gate when fast loud noises are present, for example next to a highway. Also I got some feedback from post that this (gating) DSP, which most times I can't hear on set for it's subtlety, is audible for them. Because they also use these techniques in post... it's one effect on the other, something they don't like. A couple of projects back I recorded in a rural environment with a highway 'hum' in the background. This was the only time I truly was satisfied with the mic. I use the mic with my SD 788T, but because the sub-d connector on the bottom of the recorder, where the AES42 input is situated, isn't shielded I get allot of RF spray. So I use the mini DA42 pre-amp from Schoeps to do the DA conversion for me. There are a couple of topic's about this mic, but none with this question as far as I could see. Let me know what your opinion is or if you have some tip's 'n trick's. cheers, Reinout.