I have made a (hopefully) useful list of different connections that popluar cameras have for jamming timecode and for scratch tracks etc..
For the Full List visit: http://wp.me/p2Vzd6-fk at www.soundrolling.com
If you want the newest cameras including Amira and Sony F7 then get the offline PDF version that you can use offline : http://soundrolling.com/sound-products/camera-timecode-tutorials/
Arri Alexa (and all versions of it like Alexa XT.. isn't that nice of them!)
see on http://wp.me/p2Vzd6-fk
RED Scarlet / RED Epic / RED Epic Dragon
see on http://wp.me/p2Vzd6-fk
RED One
Timecode - LEMO 5-pin Timecode In/out (TC)
Audio IN - 4x 3-pin mini XLR connectors as a side note they mentioned these bits relating to audio which could be a job saver if not a life one:
- You should always use a RED DIGITAL CINEMA XLR to mini-XLR adaptor cable, which provides a -4dB pad, to achieve an appropriate input signal level.
- The 48 V Phantom Power source is automatically disabled on each power cycle
- Low sensitivity phantom powered microphones may exhibit excessive noise, so consider an ex-ternal +48V phantom power source, or use a dynamic microphone. - Input Level range for Microphone Inputs is +36dB to +54dB. - Input Level for Line Level inputs may not be adjusted.
BlackMagic Cameras
Timecode - N/A
Audio IN - 2 x 1/4” jacks for professional balanced analog audio, switchable between mic and line levels.
SONY F65
Timecode - BNC
Audio IN - N/A
View the full list: http://wp.me/p2Vzd6-fk
Thanks