Hi All,
My basic question: for the frequent flying mixer, do you prefer to break your sound cart and contents down into pelican cases or to use a shock absorbing rack mount case (i.e. SKB)?
Details: I'm building a first proper sound cart. I'm drawn to rack-mount carts, as I like the idea of not having to build out the cart often, but open to being talked out of this. I travel for shoots as a bag based mixer an average of two weeks a month, so I'm often flying. I'm in talks to do a feature overseas and need some advice on putting together a traveling cart, but I'll also be mixing independent films in my hometown of Portland, OR.
The cart will need to hold:
-Zaxcom Nomad
-Mix-8
-3x QRX100 + Multiplexer
-Shark fins on antenna tree
-IFB antenna
-2x 7" monitor
-Case or drawer for 6 TRX900's and DPA lavs in micro cases and 2 CMC6MK41's
-2x booms
-Power section (Still working this out, maybe PSC LiFE battery or just NP1's and BDS v4 or Furman, PSC Power max and marine deep cell batteries)
-cables, headphones etc.
I'm interested in building the cart myself out of 80/20 aluminum extrusions (thanks to Jeff Wexler for that) and have the assistance of a good friend who is a medical cart designer at Moto.
Advice from anyone who has build a Chindha style sound cart or rack-mount sound cart that travels well, or has another option would be much appreciated.