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I think its always important to stay abreast of the latest happenings and technology in film so with that in mind I bought this...it is actually fascinating reading. I really like the bits on sound perspective and also that the sound recordist was responsible for the photography of sound onfilm (so had to have knowledge of developing and film) and also that often hiss on old tracks was due to silver bromide crystals not being washed out properly.
Hello everyone, This is a long shot, but here goes: I'm interested in doing an apprenticeship with one of the many professionals on here for a few days or so on set sound, specifically using wireless lavs and equipment and the workflow from recording through to turning over files to editorial. Ideally this would be on a real gig and hopefully this would work on nothing too high-strung. I have worked in a music studio / post production facility for my entire career now (11 years), and we're expanding with two large sound stages that I'm going to have to be knowledgable in the areas of using lavs and with set sound work flow, etc., and I'd like to learn from you! I'm no greenie, but definitely not seasoned on set. If you're willing to take me under your wing, I'll show up and assist you for the whole day or two, free of charge. I'm in the LA area. I'm not looking for credits or anything like that - just learning the ropes on how to do this gig in real life scenarios. I don't really like blabbing my credit list so I'll go over that once you've contacted me - but includes ADR Mixer for a few feature films, numerous albums and what not... If we work it out, I could possibly bring some mics I own to facilitate - such as a pair of 416s, almost every type of Schoeps, COS-11s, Countrymans, TRAMs, you name it I've probably got it. Thanks in advance, and I look forward to helping you out and learning in the process.