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Found 19 results

  1. Can't keep keep 'em down on the farm once they've seen New Mexico. LEF
  2. The full Lectro crew is back at work in Rio Rancho, NM with masks, distancing and gallons of sanitizer. That includes service, engineering, sales, shipping, production, etc. Gordon is the only crew member who may be still at home, trying to safely resettle a mom cat and her 5 kittens that have made an inaccessible den out of his outdoor kiva/waterfall. Gordon says he will price the kittens very reasonably. Any color as long as it is gray and white Best Regards, Larry Fisher
  3. Any reason NOT to go with the WM? Seams like the same as SMQV only water proof...
  4. Hi Larry, Sorry to bug you with a private message. I have a quick question about the SRc which you can probably answer in just a line or two if you don't mind. I am thinking of upgrading/cross-grading to them from a mix of 411's and SRb's. What I wanted to know is if the tracking front end works on channels 1 & 2 independently? If I have ch1 tuned to block 21 (for example) and channel 2 tuned to block 23, do they each benefit from their own set of filters? I had a read of the user manual from your site but it didn't mention anything about that. Thanks Hi, There are two indepen
  5. Has anyone else had the error message "DSP Failed" when turning on an LT transmitter? I am getting the error message fairly frequently when booting the transmitter up however it usually goes away when it gets power cycled again. Firmware is up to date.
  6. Possible upcoming shoot in Hawaii - any known wireless issues / conflicts would be helpful - thanks! I'm using 19, 21 & 26
  7. I have a project coming up where talent will need in ear monitoring with an earwig. I know that different discussions on this topic have been discussed before, but I'm not finding my answer. Can I use a Phonak with a Lectrosonics R1a using some kind of neck loop? I'm thinking that the R1a will give me a better range than the Comtek. Have any of you used an earwig in this way before? Or is there another way to get good range with the Phonak? Any advice would be much appreciated!
  8. Okay... my eyes (and brain) are glazing over. I just read an old thread where a member says he wired 40 people in ONE block! Wow... maybe I'm over-thinking my new bag(s). The gist is... I have a little trepidation about putting so much into SRb... with the LR/LT now available (only because of the difference in 1 block vs. 3 blocks)... HOWEVER... I still think the SRb is the defacto bag choice (or Wisy, etc.)... basically, that form-factor wins IMO... and, I fully understand Rado's obsession with weight-reduction. Anyway... so... choosing blocks! From what I've read, and experienced, here in ST
  9. Dear friends, How do Lectro block 21 and 24 work in Toronto? What blocks work best? Anticipated thanks Libero
  10. Thought I would post here since I'd love to pick up some non-union sit-in and referral jobs in the Los Angeles Area. I've been mixing full time for 2 years and have a couple cable TV features under my belt, among a multitude of corporate and commercial work. I'm also comfortable swinging it or being a utility. I have a small Nomad 10 follow cart for narratives and a 302 bag for smaller OTF and sit down interview jobs. 4 channels of Zaxcom wireless (3 lavs and wireless boom), and 3 ERX IFB. Additionally, I have 2 Wisycom wideband channels with the assortment of COS11-D and DPA 4060 mics.
  11. Hi All, First time poster long time reader. I have just bought my first Lectros- used 211/200c, three sets. I did a search of the forum, but couldn't quite find the issue I'm having. Search functionality was good though Here's what I'm doing, and the issue I'm having- hopefully someone can help me diagnose the problem. 211/200c w/ Countryman B3 (hot mic, extra crisp cap) into SD664. There's a noise/hiss which occurrs in unison with the syllables of dialogue/all transient sounds. The noise almost seems to 'gate', in the sense that it will only be audible with the passing of dialogu
  12. I'm not sure which thread to post this in, so I'll drop it here. A buddy of mine and I did a range test today using the following gear: Sennheiser G3 Zaxcom TRK900LA / QRX100 Lectrosonics SM / UCR411A Comtek 216 series Zaxcom ERX2TCD I understand that there's a lot of variables to doing a test such as this, but we had a lot of fun doing it, we just wanted to test our gear, and to just get a general idea on how the range was since we have never found a solid answer.. Keep in mind, this was all LOS (Line of sight) testing. All results are based on when there was a complete dropout
  13. One of our people saw this at a MLB game https://www.youtube.com/watch?v=Byo8mCecsxQ and commented that the gal announcing showed quite a bit of composure. And expected that the shot would just go on with a little glitch. Best, Larry F Lectro
  14. Allo group, if i go to work in Louisianna, witch frequency block should i bring and whitch one to avoid? i am using Lectro radio. Thank you
  15. I’m on a stunts day so I have a chance to write between the explosions. Seems that NAB didn’t bring any announcements of new gear from Lectro. That got me thinking about my wish list of improvements to radio mic systems - regardless of manufacturer. When I started in this industry 30 years ago I used Micron VHF radio mics which were fixed frequency. Later models had three switchable frequencies. I became used to what we now call frequency agile wireless about fifteen years ago with the Audio Ltd 2020, later the 2040 range and now use Lectro. A lot of the equipment we use is tuneable over perh
  16. VM

    SMDB auto start ?

    Hi, I'm working on a serie with two SMDB sending the audio to the camera. To power them I use a battery eliminator (on a NP lithium battery). When I change my batteries, or switch off the battery I have to turn the transmitters on. Is there an automatic starting mode for SMDB ? In the same way as the SRA do ? I have reread the manual, and haven't found any line about it. Thanks
  17. Being on the verge of spending money again, I want to make sure this is the right step before parting ways with my hard earned cash. I'm a sound mixer who is relatively new to the craft (about 9 months doing location audio) and I want to invest in some pro quality wireless. One of the things that I feel is most key to being a good sound person is to have pristine audio. Now pristine is a relative idea but getting as close as possible is a good approach when you don't have the clients or money to access the top quality Zaxcom's/Lectro systems. My question is about the sound quality of
  18. First an intro... I have been an on and off prod. sound mixer for 4 years in the Dominican Republic. (on and off because I moved to spain for a while and also started a small av contracting business which i am currently closing) Mostly did commercials and the occasional documentary or tv program(over 60 or 70 commercials). I am currently on my second feature. Little by little I have been able to purchase the following gear: SD 744t SD 442 Sennhesier MKH 416 Sennhesier MKH 50 2 Tram tr50 4 Sennhesier G2/G3 wireless Bags, Rycote windshield kits, 18 ft and 12ft boompoles, p
  19. Hey folks, Some time back, I made the mistake of purchasing a pair of Lectrosonic LMa/UCR 100's. I wasn't happy with the sound, and rarely took them out. Now, as I'm gearing up for this film, I'm wondering if I can make some kind of Comtek system out of them for my clients. Could that work? Rachel
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