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Found 4 results

  1. A tech client of mine needs a portable that can take two simultaneous AES/EBU or s/pdif inputs and record a 4-channel bwv or other linear file. This will be used for capturing radio studio signals off their boards for later analysis, not for production audio. Inputs should also be switchable to analog; will be used as line-level so preamp isn't critical. Doesn't need timecode or word clock. Doesn't need internal mixing facility. Can't afford a 744, though that would be lovely. Would accept used, if you want to contact me offlist. Any ideas?
  2. I'm looking for some recommendations on a decent "portable sound booth" for voiceover work. It would be used to record VO for training videos. The recording would be done at the editors residence in the "best possible" room available in the house. HERE IS A LINK to the type of product I think might help in whatever situation we might end up with. Willing to spend a little more money if the product offers decent improvements. My experience is mostly ENG and I plan on using my 416 or similar to actually capture the audio. But if someone has a recommendation on a decent table top mic wi
  3. Hi wonderful JW members! It's been a little while since I posted on here and I wanted to start by thanking everyone for the wonderful resource this forum is. I want to start a conversation about the pros/cons of small portable recorders to be paired with DSLR or other cameras for lower budget or "one man band" type shoots. I'd love to hear people's opinions and experiences with recorders in this market. Specifically I am thinking of 3 recorders that are out right now: The Tascam DR-60D (which has a great thread started by Tom Duffy and a review by Ty Ford ), the Zoom H6 (which has a s
  4. Hello! I've posted a few times before on questions regarding booming, and damping a set, and recently had another thought that I would like to discuss with more experienced people. I recently looked up some portable booths popularly used for song in less than ideal locations, such as the ones in the pictures, and started to think about if you couldn't make something similar for location sound. So, my question is if it wouldn't be possible to take damping material and for instance make a sort of blimp of it - or maybe just put it around an actual blimp - open at the front. This wou
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