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Found 10 results

  1. Article in today's New York Times about projection levels, reporting on a paper in the Journal of Personality and Social Psychology. (Journal is paywalled, so I'm going by the Times reporter's summary.) Apparently, research found that someone appears more confident and persuasive when they project louder, which is certainly intuitive. But it went further to show that you're even more persuasive when you break things up with softer-than-normal volumes, as well. Trained actors probably know this -- think Richard Burton -- and know how to modify it to keep the variety while filling a
  2. New York Times has an excellent technical explanation of this week's acoustic 'blue dress / gold dress' meme, with an interactive tool that lets you simulate different listening/auditory conditions. https://nyti.ms/2L4DQJO The original issue is, I believe, due to a badly implemented speech synthesizer. But there's a lesson in there for all of us, about the importance of accurate recording / equalization / monitoring.
  3. Hey all, I've edited this topic as I think people are getting confused and answering the wrong thing. I've gotten early into the preproduction of an upcoming film on which I will be sound recordist. It is a great opportunity to do whatever I can before those rushy production days. One thing I told them to do is wash the wardrobe. This is based on information I acquired here in posts about reducing lavalier clothing noise at jwsoundgroup. They asked me if there were any specifics so I decided to ask you guys directly. I wanted to know if anyone knew anything about the following: -
  4. I haven't dig deep into sound yet because I learn better when I play with toys than just reading about them. Please pardon my inexperienced. I been interning under a wedding videographer and we have been talking about me becoming a dedicated sound for the wedding. How could this be done theoretically? Should I have many wireless lav plug into my mixer during the ceremony? And I think I would just walk around with a short boom for everything else. You don't have to go into the nitty gritty detail. I just want to know if this could theoretically be done.
  5. Hi All, Post Production Audio Question: I have come across some post audio workflows and the topics of submix, buses and loudness normalization. It's a side of post audio I have not seen and it does provide cleaner and fuller audio, but I do have some questions about this workflow: To do the EQ, noise reduction, desses, etc.. for each audio clip is better to do a submix bus for each audio clip and do the EQ and other stuff OR do a submix bus for that one track and do the EQ and other stuff? and after the submix bus then do the loudness normalization? Any answers a
  6. Hi all, Just wondering if anybody on here had any experience with travel type shows, e.g. Parts Unknown, Nat Geo sort of stuff, and how one might go about getting on those crews? I'm relatively new, but have always wanted to work on travel shows and was just wondering if anybody could recommend some proactive steps I could take to work my way there eventually. Thanks! Josh
  7. Please please please! Refuse to sign box rental agreements for your sound package. It's not a box or kit, it's a package. It's not a drill, tape measure, laptop, or cell phone. I put $1800 worth of wireless gear on talent, and they walk away from me for 6 hours or more. I hand out $300 comteks to people in video village, and do not have them in my possession for 12 hours. Read the box rental form carefully. When you sign the box rental agreement, there's a clause that states that production is not liable for damage to your gear. On a show a long time ago, I submitted an l & d fo
  8. Hey Everybody! Let me first say that this site has been an amazing resource for me, having been doing production sound full time for about 2 years now (Started right after I finished school) I know that there are tonnes of times I thought and applied what I learned on this site, it's a really amazing place and I'm so fortunate that people are so willing to share all their insights, mistakes, and experience. Now, I am asking for your help! I am a Sound Mixer/Boom Operator, but I have also found a new interest in Directing/Producing! I have launched the Indiegogo campaign for my Second s
  9. Hi everyone... I'm currently taking a break from Production Sound Mixing and am pursuing some other opportunities so right now I have a lot of Audio Gear available for rent... I will beat any rental house pricing by 20% on similar gear. I am located in Burbank, CA so local pickup can be made or will also ship if need be. Below is a list of most of my primary gear... Feel free to ask about any smaller accessories that I may not have listed here yet probably still have. Also check out my personal website www.jonahguelzo.com for the gear list again, the kind of work I do as well as furth
  10. The video of last week's 664 presentation with Jon Tatooles is now available to view online. In two 45-minute parts, Jon gives us an in-depth look at the hardware and user interface of this powerful new tool, and takes questions from our audience. Part 1 Part 2 Enjoy! -Cory
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