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Found 3 results

  1. Need some tech advice! Pop and hiss on DPA 40/6061! For reference I am using a lectrosonics SMA and SM tx going to a UCR 411a. The LAV mics are a DPA 40/6061 wired for Ta5F. I use a 1k ohm resistor in the wiring as I do them myself to save some $$ and the 3k-4k makes them just a bit to soft for standard speaking. The client we worked with today had a habit of cupping their hands and putting them to her chest. Whenever this happens a loud pop occurs, and then the audio becomes full of hiss. I can unplug the mic, then plug it back in or turn off the tx and it would sound fine after. But has damaged occurred to my DPA lavs at this point? It sounds like they were overloaded potentially? Looking to hear your thoughts and how I can prevent this in the future? Here is a clip of exactly what happened:
  2. The Cinema Audio Society Awards Banquet brings a lot of accomplished players in our industry to Los Angeles this week, including the nominees for the CAS Technical Achievement Award. So, we invited them to Trew Audio in Los Angeles to hang out with everyone. There are events on Thursday, February 18, and Friday, February 19. On Thursday, Feb 18, Glenn Sanders and Colleen Goodsir will be present to talk about Zaxcom's Wideband Recording Wireless System that received a CAS nomincation. It's also fair to predict that some information about the newly announced Deva 24 might be leaked! On Friday, Feb 19, we will have Gordon Moore, President of Lectrosonics, Jon Tatooles, Managing Director of Sound Devices, and Production Mixer Whit Norris for Aaton. Gordon Moore will show Lectrosonic's nominated product, the Venue-2 Multi Receiver System, and will be demonstrating its Wireless Designer Software. Also an expert on the FCC and our fight for our remaining wireless mic RF spectrum, Gordon will give us an update on what the RF future holds. Jon Tatooles, will give an in-depth look at Sound Devices' SL-6 Super Slot Receiver Control Module for which they were nominated, as well as the latest capabilities of the CL-12 control surface with its new firmware revision. Whit Norris, Atlanta-based Production Sound Mixer and early adopter of the CAS nominated Aaton Cantar X3 Recorder, will be with us to talk through his use of the Cantar X3 on the recently wrapped production of Passengers. Those who will not be in Los Angeles can watch the gathering streamed to all of the Trew Audio showrooms, and it can be viewed anywhere in the world on the Trew Audio website. It will be a very informative two days at Trew Audio!
  3. I encountered a problem while I was recording with my 552. It seems that if the power supply was cut suddenly or you start recording when the yellow indicator was still light(I mean you do a quick recording just after the last recording file was stored),and then the digital audio file might be damaged. I didn't find the problem until the file was imported to my PC.When connecting to PC,it says the file is damaged and can't reach,the error code is 0*8007570 and I found some word in the SOUNDINFO.txt "13Y11M29 13Y11M29-051.WAVPN " Does anybody know what "PN"means? BUT the audio file which was damaged can still play both in the 552 and PC.I just can't copy the file and have nothing to do with the file. I try to find answers in 552's Operation Manual,but there are few words about the "sound info",it just says "for house keeping purpose only"...OMG Now I am really worried about it,does anyone meet the same situation like mine? So I wonder if there is some solution to this issue,is there some tools to "save" my file ?Thank you very much,if any message,send me Email please,I really appreciate about it:) My EMAIL is 249765881@qq.com
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