Richard Thomas Posted March 21, 2012 Report Share Posted March 21, 2012 Just annonced by Steinberg: http://www.steinberg.net/en/products/nuendo/nuendo_live.html looks very useful, although it may depend on how easily the notes can be exported Quote Link to comment Share on other sites More sharing options...
OmahaAudio Posted March 21, 2012 Report Share Posted March 21, 2012 Looks pretty. How much will it cost? Quote Link to comment Share on other sites More sharing options...
VASI Posted March 21, 2012 Report Share Posted March 21, 2012 Ooooooooo Pro Tools can be feel the breath of Nuendo.. Quote Link to comment Share on other sites More sharing options...
ramallo Posted March 21, 2012 Report Share Posted March 21, 2012 Great! looks very promising Quote Link to comment Share on other sites More sharing options...
RadoStefanov Posted March 22, 2012 Report Share Posted March 22, 2012 Cool. Nuendo is always years ahead everybody. Quote Link to comment Share on other sites More sharing options...
Gotham Sound Posted March 22, 2012 Report Share Posted March 22, 2012 Looks like it will go well with the new 194 (!!!) input triple MADI sound card announced by RME: http://www.rme-audio...spe_madi_fx.php Check out the picture of RME's system at their booth running the card on an iMac via a Thunderbolt PCIe adaptor! Peter Schneider Gotham Sound Incidentally, the card has on board DSP with EQ, compression, reverb - basically a digital mixer on a card. Quote Link to comment Share on other sites More sharing options...
Tom Visser Posted March 22, 2012 Report Share Posted March 22, 2012 One thing I've always disliked about RME's Totalmix is that you could not set up a virtual workflow that emulated console signal flow. The cool thing about the Metric Halo mixer, for example, is that you setup a virtual console, with the traditional busses, pre/post selectable AUX sends, etc... Totalmix looked more like an 'n' number of flat X by Y independent stereo mixes. I wonder if they have addressed this in the new Totalmix FX mixer. Quote Link to comment Share on other sites More sharing options...
RadoStefanov Posted March 22, 2012 Report Share Posted March 22, 2012 Total mix was improved 2 years ago. You have pre/post, 3 band parametric eq, reverb/echo,return/send Quote Link to comment Share on other sites More sharing options...
Brian Liston Posted March 23, 2012 Report Share Posted March 23, 2012 Total Mix rocks. The RME drivers are simply the best. And sonically their stuff is top shelf. I read the page on the New Cubendo Live thing and was unable to see it it will be useful for our purposes. Quote Link to comment Share on other sites More sharing options...
Richard Thomas Posted July 18, 2012 Author Report Share Posted July 18, 2012 It's out now- I've asked Steinberg for some more info. EUR329 for the download, EUR349 for the boxed version with dongle Quote Link to comment Share on other sites More sharing options...
RadoStefanov Posted July 18, 2012 Report Share Posted July 18, 2012 Just did a playback / recording gig with Celine Deon. Used nuendo as master tc, rmeaudio interface ans nomad slaved to nuendo smpte out . All controled by mackie mcu. And the nuendo was 5 years old version. Quote Link to comment Share on other sites More sharing options...
Richard Thomas Posted August 1, 2012 Author Report Share Posted August 1, 2012 I've got hold of the manual after downloading a trial version (but need a USB dongle to launch the program). Seems to be very straightforward in that it'll just stick all the tracks you've got coming into your interface straight to the HDD in as much as one command. It takes timecode via MTC (midi), so you'll need an interface which will deal with this (MOTU and some RME will do it). It's got some metadata options, down as 'Production (also writes to filename), artist (also writes to filename and/or folder), engineer and director', which might be able to be used differently. You can also name tracks, create markers (not sure if these are exported as part of the bwav or not) and create/export a mix from those recorded (not sure if it talks to control surfaces though) Quote Link to comment Share on other sites More sharing options...
Philip Perkins Posted August 1, 2012 Report Share Posted August 1, 2012 I've got hold of the manual after downloading a trial version (but need a USB dongle to launch the program). Seems to be very straightforward in that it'll just stick all the tracks you've got coming into your interface straight to the HDD in as much as one command. It takes timecode via MTC (midi), so you'll need an interface which will deal with this (MOTU and some RME will do it). It's got some metadata options, down as 'Production (also writes to filename), artist (also writes to filename and/or folder), engineer and director', which might be able to be used differently. You can also name tracks, create markers (not sure if these are exported as part of the bwav or not) and create/export a mix from those recorded (not sure if it talks to control surfaces though) Would you be using this with a CL-series Yamaha console or on its own? phil p Quote Link to comment Share on other sites More sharing options...
Richard Thomas Posted August 18, 2012 Author Report Share Posted August 18, 2012 It'd be on its own, with a midi control surface, either controlling that or MOTU's cuemix for the mix track (depending if that works or not). Still haven't had a chance to try it out yet, got too much work Quote Link to comment Share on other sites More sharing options...
Olle Sjostrom Posted March 5, 2013 Report Share Posted March 5, 2013 Any more input on this? Anyone? Googled for a while.. couldn't find any hands on experience... Quote Link to comment Share on other sites More sharing options...
Richard Thomas Posted March 6, 2013 Author Report Share Posted March 6, 2013 I've had a bit of a poke around, and although I think it can work for our line of work, it's far from ideal. Quite a few things, like the metadata being used in other ways to how they were designed. It won't write to the drive as mulitchannel wavs either. I didn't buy it. Quote Link to comment Share on other sites More sharing options...
Olle Sjostrom Posted March 6, 2013 Report Share Posted March 6, 2013 Too bad. It would seem logical to use Nuendo Live for recording and Nuendo for postproduction... Bridging those two worlds with that kind of software would've been awesome. That multichannel part is very weird, seeing as Nuendo uses Poly-style wave files whereas Pro Tools does the opposite. Maybe it's because nuendo wants to reach out to Pro Tools users with a recording software? Hrmf.. Quote Link to comment Share on other sites More sharing options...
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