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Looks like it will go well with the new 194 (!!!) input triple MADI sound card announced by RME: http://www.rme-audio...spe_madi_fx.php

Check out the picture of RME's system at their booth running the card on an iMac via a Thunderbolt PCIe adaptor!

Peter Schneider

Gotham Sound

Incidentally, the card has on board DSP with EQ, compression, reverb - basically a digital mixer on a card.

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One thing I've always disliked about RME's Totalmix is that you could not set up a virtual workflow that emulated console signal flow. The cool thing about the Metric Halo mixer, for example, is that you setup a virtual console, with the traditional busses, pre/post selectable AUX sends, etc... Totalmix looked more like an 'n' number of flat X by Y independent stereo mixes. I wonder if they have addressed this in the new Totalmix FX mixer.

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I've got hold of the manual after downloading a trial version (but need a USB dongle to launch the program). Seems to be very straightforward in that it'll just stick all the tracks you've got coming into your interface straight to the HDD in as much as one command.

It takes timecode via MTC (midi), so you'll need an interface which will deal with this (MOTU and some RME will do it).

It's got some metadata options, down as 'Production (also writes to filename), artist (also writes to filename and/or folder), engineer and director', which might be able to be used differently.

You can also name tracks, create markers (not sure if these are exported as part of the bwav or not) and create/export a mix from those recorded (not sure if it talks to control surfaces though)

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I've got hold of the manual after downloading a trial version (but need a USB dongle to launch the program). Seems to be very straightforward in that it'll just stick all the tracks you've got coming into your interface straight to the HDD in as much as one command.

It takes timecode via MTC (midi), so you'll need an interface which will deal with this (MOTU and some RME will do it).

It's got some metadata options, down as 'Production (also writes to filename), artist (also writes to filename and/or folder), engineer and director', which might be able to be used differently.

You can also name tracks, create markers (not sure if these are exported as part of the bwav or not) and create/export a mix from those recorded (not sure if it talks to control surfaces though)

Would you be using this with a CL-series Yamaha console or on its own?

phil p

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Too bad. It would seem logical to use Nuendo Live for recording and Nuendo for postproduction... Bridging those two worlds with that kind of software would've been awesome. 

 

That multichannel part is very weird, seeing as Nuendo uses Poly-style wave files whereas Pro Tools does the opposite. Maybe it's because nuendo wants to reach out to Pro Tools users with a recording software? Hrmf..

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