commpost Posted September 6, 2012 Report Share Posted September 6, 2012 I have read other posts of dissatisfaction with the Red Epic's cheezy mic-level audio inputs. At least it has meters on the screen, but they are unmarked. I can only guess where the -20 reference level is located. There are a few crosshairs on the meter, but I haven't a clue where to set a -20 tone with the supplied Epic attentuation sliders. Any suggestions how to calibrate this? thx Commpost Quote Link to comment Share on other sites More sharing options...
Marc Wielage Posted September 7, 2012 Report Share Posted September 7, 2012 This has been requested before. I think it would be a fairly easy software update for them to recalibrate the meters so that 0 = 0dBfs, the midway point was labeled as -20dBfs, and a lower point was -30dBfs, and label them as such. Maybe even have a -10dBfs point for peaks. The manual says: To assist with audio reference level setup, the camera provides a color-coded Audio meter in the Graphical User Interface. Meter range is –36dBu to +20dBu (-56dBFS to 0dBFS) with audio input type and audio input clipping indication. I don't know why they still reference analog audio in their measurements. I just use the hatch mark in the middle as -20dBfs, and hard-limit the feed going to the camera. Quote Link to comment Share on other sites More sharing options...
John Blankenship Posted September 7, 2012 Report Share Posted September 7, 2012 I send a +20 signal to the Red and adjust it to right below the peak. Quote Link to comment Share on other sites More sharing options...
Toy Robot Posted September 7, 2012 Report Share Posted September 7, 2012 I've always hated this. A 'color coded' meter, but with no reference / key as to what the colors correspond to. Brilliant. That's like giving a camera operator a lens that has f-stops labeled highest and lowest, but none in the middle and just a straight horizontal line from stop to stop so you have to guess where you are in the middle. It's a total lack of foresight, but what can you expect from the same people that treat production sound like it doesn't exist? Quote Link to comment Share on other sites More sharing options...
soundtrane Posted September 7, 2012 Report Share Posted September 7, 2012 +1 Quote Link to comment Share on other sites More sharing options...
commpost Posted September 7, 2012 Author Report Share Posted September 7, 2012 Blankenship and everybody -- thanks for the xlnt advice! That is a good idea. Commpost Quote Link to comment Share on other sites More sharing options...
commpost Posted September 7, 2012 Author Report Share Posted September 7, 2012 OH by the way, in my parlance, -20 is where the 1K tone should be referenced to. Therefore "0" db is maximum level on a digital meter. On an analog meter, 1K tone would be at zero, however. Correct me if I am wrong. Commpost Quote Link to comment Share on other sites More sharing options...
Steve Foy Posted September 7, 2012 Report Share Posted September 7, 2012 Analog: 120 dB Dynamic Range (From -96 dBu To +24 dBu) Typical Reference of 0 Vu is at +4 dBu (Some used -3 dBu). Digital: 120 dB Dynamic Range (From -120dBFS To 0 dBFS) Typical Reference of 0 Vu is at -20 dBFS (Some use -18 dBFS). Generally speaking Peak Programme should not exceed +10 dB above Reference. Quote Link to comment Share on other sites More sharing options...
Rick Reineke Posted September 7, 2012 Report Share Posted September 7, 2012 -20 is where the 1K tone should be referenced to. Therefore "0" db is maximum level on a digital meter. On an analog meter, 1K tone would be at zero, however. Correct me if I am wrong. "1K tone would be at zero 0" Volume Units, aka, VU that is. When DATs first reared their rotary heads we used to refer to -20dBFS (or -18dB) as "Digital zero". Quote Link to comment Share on other sites More sharing options...
commpost Posted September 8, 2012 Author Report Share Posted September 8, 2012 "1K tone would be at zero 0" Volume Units, aka, VU that is. When DATs first reared their rotary heads we used to refer to -20dBFS (or -18dB) as "Digital zero". Yep, exactly. That's the value I was looking for. As for the red epic with it's precise metering, I'll just take a wild guess as to where -20 is. It is just a scratch track, after all. ~ Commpost Quote Link to comment Share on other sites More sharing options...
Chris McCallum Posted September 8, 2012 Report Share Posted September 8, 2012 I think we should be thankful for their lack of commitment to pro sound. It means more work and more gear rental for us Quote Link to comment Share on other sites More sharing options...
Marc Wielage Posted September 9, 2012 Report Share Posted September 9, 2012 Generally speaking Peak Programme should not exceed +10 dB above Reference. I'd say that may be true for final deliverable elements, but not necessarily for dailies. In fact, this may be looked upon as too low for a dailies mix. I don't have a problem knocking it up a few dB higher than that, as long as it's consistent day to day, and there's a limiter in the line. I do agree that the iso tracks should peak at about -10dBfs if possible. Quote Link to comment Share on other sites More sharing options...
studiomprd Posted September 13, 2012 Report Share Posted September 13, 2012 " but with no reference / key as to what the colors correspond to. " perfect for their semi-pro (aka wanna-bee) customers who actually expect to use these for their sound recorders. ...as I said elsewhere... and keep in mind: The ARRI Alexa is a computer made to be a camera by a camera company; the RED's are computers made to be cameras by a computer company.... Quote Link to comment Share on other sites More sharing options...
VM Posted September 13, 2012 Report Share Posted September 13, 2012 Any suggestions how to calibrate this? Send a 1k at the max of your mixer, +20 on a SD302 (it's possible when you are in the menu, or at 0 dBfs with a 788. Adjust it at the clipping's limit on the Red. Quote Link to comment Share on other sites More sharing options...
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