Shooting at 100 frames with dialog.
A client is shooting a commercial and wants to do a shot with dialog at 100 frames. The producer tells me that they have done it before and that they record the audio normally, then speed it up and have the talent practice it at that speed so that when they bring it down, it matches, sounds crazy to me, any ideas on what to do here, it would make more sense to me to record audio normally and then slow it down.
Any ideas?
Sent from my iPad.
Suggest to post that when they speed up the production tracks (really? I thought they'd want to slow it down, to match the 100 fps video with 29.97 playback... anyway...) ... that when they speed-change the production tracks, they use a phase vocoder rather than a conventional pitch shifter. I've found that to be a lot more effective and intelligible with mass speed shifts on dialog.
Of course this is an ad shoot, so you might not have access to the post people. Or even to the agency produ