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Dialogue by the campfire


Filipe Chagas

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Encourage electric to have a fire gag prepared in order to produce the fire effect on close-ups without the fire going. Talk to effects to ask if real wood will be used. Seasoned dry wood is "quieter" in my experience, and produces less smoke. Better for everyone. If flame bars are used, either with fake logs or for foreground fire on tighter shots (without seeing the wood/fire), check with effects that they are silenced flame bars. They hiss less.

But in the end, campfire scenes are more about the visual than anything else. Just keep track of the dialog and know what you have and what you're missing. Get all the words. The dialog editors have a decent job in these scenes, given the darkness and foreground fire blocking lips.

Robert

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"check with effects that they are silenced flame bars."

Expanding just a bit on Robert's good answer-

Most EFX specialists will have silenced fire bars in their kits. These are really just pipes with holes drilled in a section at the end where the fire is to appear. To silence the hiss of gas, the pipe is loosely filled with steel wool.

One would think that any effects technician, asked to bring gear for a fire gag, would be sure to have the silenced pipe in the truck. But I have on several occasions been told by the EFX person that he has an assortment of silenced pipes in his workshop but didn't bring one because no one from production specifically requested it.

If there is a campfire scene in the script, get your request in early.

David

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"check with effects that they are silenced flame bars."

Expanding just a bit on Robert's good answer-

Most EFX specialists will have silenced fire bars in their kits. These are really just pipes with holes drilled in a section at the end where the fire is to appear. To silence the hiss of gas, the pipe is loosely filled with steel wool.

One would think that any effects technician, asked to bring gear for a fire gag, would be sure to have the silenced pipe in the truck. But I have on several occasions been told by the EFX person that he has an assortment of silenced pipes in his workshop but didn't bring one because no one from production specifically requested it.

If there is a campfire scene in the script, get your request in early.

David

+1 With Robert and David

 

 

W

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The fire bars with slits can be very noisy,like others have said,you must talk to fxs previous or they are likely to bring the noisy ones-----fxs doesn't think about the noise problem,just how it looks------typical.

 

                                                                                                   J.D.

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I asked my SFX department what they use to deaden their flame bars. Sometimes using a thicker gauge flame bar helps. We had one where they used a thin (1/4"?) copper bar and it was so noisy it was unusable for sound. We had them wrap it in pantherfelt which is a material they use for handheld flaming torches. It is fire retardant and The hissing went away. They usually use thicker gauge copper.

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