SD633

[Malcolm Davies Amps CAS]

I would be interested in finding out from the people who are actually using the 633 how they are assigning the inputs in regards to a L & R mix and the ISO tracks and whether they are using the AES inputs. I would also be interested in finding out where, any one from post would gererally like to see the arrangement of the tracks.

Malcolm Davies. A.m.p.s

[thebrengun]

I've wondered about this myself.  In the case of 1 lav and 1 boom I've just been recording as normal to L and R with no ISOs. In the case of a more complex project with ISOS and a mono mix, I've been routing the mono mix to an AUX track and recording that and not recording L and R at all.

[codyman]

I've been routing the mono mix to an AUX track and recording that and not recording L and R at all.

 

Exactly what I've been doing as well.  Most of the editors I work with want a Mono mix on Track 1 and then the ISO's from there on out.

 

I haven't tried the AES inputs yet so I can't add anything there...

[Crussell]

I've been mostly feeding cameras so for me it's boom on ch1, mixed to mix L, lavs on 2-6 mixed to mix R.

On the CF I record isos only (or TC mp3s), SD gets LR and isos.

I monitor in L+R usually so if they want a mono track they can pan up the two channels or pick just the lavs or boom and ignore the isos. They'll get my mono mix.

I use X-1 and X-2 if I need to send an ISO track to a B or C camera (needed that more often than I would have thought)

X-3 feeds a Sennheiser G3 TX for wireless scratch track (L+R mono mix) X-4 feeds comtek (routing changes, sometimes mono mix, sometimes a particular channel)

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