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Cinerama Camera on How the West Was Won


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Cinerama's sound system astonished audiences just as much as its enormous screen. In 1952, the term "Stereophonic Sound" was not something that the average person understood and they'd certainly never heard anything like it. Even after Hollywood adopted stereophonic sound in ersatz Cinerama emulations such as CinemaScope, there remained something different about real Cinerama sound. That difference was that CineramaSound, as it was called by the company, WAS real. Five, six, or seven channels of sound were recorded live on location, rather than being created from sound effects libraries in a studio.

The MGM sound department probably had several hundred hours of train sounds but it wouldn't do for Cinerama. Seen here is a second unit recording sound effects for the train robbers sequence of How The West Was Won. The array of five microphones recorded sound that would accompany closeups of the engine's drive wheels. The film won an Oscar® for its sound recording.

Cinema pioneered the practice of "traveling" sound which so impressed Zanuck and his wife, and exploited it as a form of audience participation. In an attempt to heighten this participation effect, Cinema sounds recordists regularly mounted 5 microphones in fixed positions on a support that was itself attached to the Cinema camera, effectively binding visual and auditory perspective together and putting the audience in the very midst of the onscreen action.

Today we are referring to all of these things as Immersive Sound, and with Al's post we can see that these efforts were already in play in the 1960s.

Pictured below is the microphone cluster mounted to a steam engine to record effects for How The West Was Won.

htwwwsound.thumb.jpg.24b6dc8aeff485da580

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There was a recent Cinerama production just a couple of years ago where some intrepid film buffs got together and made a short, just to kind of prove "it could be done." That was In the Picture, shot in 2012. I saw it projected, and my memory is that a lot of the sound was ADR'd, I'm guessing because three 1960 cameras bolted together sounded like a jack-hammer.

This is a short on the crew in action from three years ago:

http://www.in70mm.com/news/2012/picture/credits/index.htm

http://blogs.indiewire.com/leonardmaltin/the-first-new-cinerama-film-in-50-years

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