seth Posted January 29, 2022 Report Share Posted January 29, 2022 Pertaining to corporate and doc work(haven't done film in a while): AS most of my clients don't know what cedar is, nor do they have post that are aware of the new software, I'm trying to figure out a standard of how to use the new technology. Currently I've set up a bus with processing called "processed audio", or I've added the plugin to the master buss two both channels. Any thoughts on what a "standard" could be? I understand if post made this request, but at the moment I've not yet had one. Is there any reason other than client knowledge why we should be still recording a stereo master track? Say a two person on cam interview, With the 8 series we can make two mixes one lavs, the other booms, each with their individual compression, automix, and cedar. I'm not trying to put post people out of work, but many gigs I work on I know the client is editing in house. Quote Link to comment Share on other sites More sharing options...
Johnny Karlsson Posted January 29, 2022 Report Share Posted January 29, 2022 You will probably get all kinds of opinions on this. Ultimately, I would say it’s between you, the post people and the producer(s) to figure out what works best for your situation. Quote Link to comment Share on other sites More sharing options...
codyman Posted January 30, 2022 Report Share Posted January 30, 2022 I'd personally have the track order go Mono Mix (unprocessed) Mono Mix (processed) Boom 1 Boom 2 ISO 1 ISO 2 etc etc That's my two cents that makes sense in my brain but yeah, talk to post and see what they want. Quote Link to comment Share on other sites More sharing options...
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