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Found 2 results

  1. I have used many variations of shock mounts on stands and poles - studio and field but am struggling with a new application My new problem - recording ambient sounds destined for applications with an LFE channel - often adding an additional omni capsule to maximize the LF capture in addition to directional mics. In most cases I'm actually using a small cluster of mics but am noticing that with the low frequency running down to the limits of modern mics, 8-10 Hz, I'm experiencing new issues I didn't ever notice with a HP or mic roll-off around 30 Hz My understanding is that the Lyre mounts were designed to a low frequency effectivness of 20 Hz (which they seem to do very well) but I'm wondering if there is any mount, mount combination or design specific to covering down to 10 Hz? I know that this is a complex mechanical challenge - making compliance and damping really challenging to balance. I'm also feeling that in some cases, individual mounts per mic won't image as well as mounting the array rigidly together and then on an isolation mount (making using the Lyre mounts more difficult - but still the most effective tool I've found, so I'm combining them to hold the array) Again, this wan't an issue until trying to capture wave crashes, waterfalls, avalanches, thunder - big physical events with really low frequency content and even the slightest motion or vibration in the stand or pole results in clipping. Any suggestions or ideas?
  2. Hello, I am doing some outdoor recording with a Sennheiser 416, and recently got a Sennheiser blimp system to accompany the mic, and to keep wind/handling noise down. I bought the blimp used, but it's virtually new, and it came at a smoking deal, compared to the price of nearly $1000 for a new kit from B&H. The one caveat of this deal is that the smaller set of mic clips for the 416 and similar mics (19mm diameter) is not with the blimp. The fellow who sold it to me could not find them as he did not use the blimp with a 416. I know that these smaller clips come with the standard complete kit new, along with the bigger ones for the MKH 60 & 66. I CANNOT find replacements for these small 416-friendly clips. Anywhere. It's been killing me. Sennheiser barely knew what I was talking about. they gave me part numbers that yielded nothing on their site. If anyone has a line on these, or someone in possession of spare parts, or a good online store that has spare parts for suspensions similar to the MZS20-1 grip made by Sennheiser, it would be a terrific help. These clips are 19mm in diameter, and are suspended via rubber bands within the grip's c-shaped suspension mounts, I've included a picture of the Sennheiser grip system. Rycote lyres are supposedly incompatible with the Sennheiser MZS20-1 grip, according to Rycote. I read somewhere that supposedly they work together, but I am less familiar with the Rycote grip system mounting rail. If anyone knows for sure, then I can confirm that Rycote lyres are not an option. Sorry for the long message. Small missing part, BIG problem. Many thanks in advance for your input. Isaac
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